DaMilanoBorrono1546 complete with incipits

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Intabvlatvra di Lavto del divino Francesco da Milano, et delleccellente Pietro Pavlo Borrono da milano
Date: 1546
DaMilanoBorrono1546 has 73 entries

List of sources with concordances to DaMilanoBorrono1546
(49 pieces have 222 concordances)

Alphabetical

Internal conc. = 1
A-Wn18821 = 1
Abondante1546 = 1
Abondante1563 = 1
Attaingnant1529 = 1
Autori diversi per sonare per archicordi etc Libro primo 1551 = 1
Balletti1554 = 1
Barberis(IX)1549 = 3
Barbetta1569 = 2
Barbetta1585 = 1
BianchiniD1546 = 1
CH-BuF.X.11 = 1
CH-SAM1 = 1
Caroso1581 = 1
D-Mbs267 = 1
D-Mbs271 = 1
D-Mbs1511b = 1
D-Mbs1511d = 2
D-Mbs1512 = 1
D-Mbs2987 = 1
D-Mbs9516 = 1
D-Sl_G.I.4(1) = 2
D-Sl_G.I.4(2) = 6
DK-KkThott841 = 2
DaMilano1556 = 12
DaMilanoI_1546 = 18
DaMilanoI_1556 = 1
DaMilanoI_1563 = 10
Drusina1556 = 2
Estrées1559 = 1
F-LYm6244 = 1
F-Pn429 = 1
Gerle1552 = 1
Gorzanis1561 = 1
HeckelDL1556 = 1
HeckelTL1556 = 1
I-CFVd = 8
I-CFd = 1
I-FnXIX168 = 1
IRL-DmZ3213 = 1
IRL-Dtc410-1 = 1
LeRoy1551 = 1
LeRoy1564 = 1
Morlaye1552 = 1
Mudarra1546 = 1
NL-At.208.A.27 = 2
NL-DHnmiA20 = 1
Narvaez1538 = 1
NewsidlerH1536 = 1
NewsidlerM1574 = 1
PL-KjW510 = 1
Pacoloni1564 = 9
Phalese1552 = 2
Phalese1563 = 2
Phalese1568 = 1
Phalese1570 = 2
Phalese1571 = 1
Phalese1573 = 5
Phalese1574 = 1
Phalese1583 = 1
PhaleseI/II_1546 = 1
PhaleseIIII_1546 = 27
PhaleseII_1546 = 13
PhaleseV_1547 = 1
Pifaro1546 = 1
Rippe1562(3) = 1
Rotta1546a = 3
Rotta1546b = 1
S-Uu87 = 1
UA-LVu1400 = 6
US-BEm758 = 2
US-BEm763 = 1
US-WsVa159 = 1
Viaera1564 = 1
Waissel1573 = 2
Waissel1592LB = 1
Wyssenbach1550 = 26
Wyssenbach1563 = 1

According to the amount of concordances

Internal conc. = 1
PhaleseIIII_1546 = 27
Wyssenbach1550 = 26
DaMilanoI_1546 = 18
PhaleseII_1546 = 13
DaMilano1556 = 12
DaMilanoI_1563 = 10
Pacoloni1564 = 9
I-CFVd = 8
UA-LVu1400 = 6
D-Sl_G.I.4(2) = 6
Phalese1573 = 5
Barberis(IX)1549 = 3
Rotta1546a = 3
Phalese1570 = 2
NL-At.208.A.27 = 2
Drusina1556 = 2
D-Sl_G.I.4(1) = 2
DK-KkThott841 = 2
Phalese1563 = 2
D-Mbs1511d = 2
Phalese1552 = 2
US-BEm758 = 2
Barbetta1569 = 2
Waissel1573 = 2
Phalese1568 = 1
PL-KjW510 = 1
NewsidlerM1574 = 1
NewsidlerH1536 = 1
Narvaez1538 = 1
Phalese1571 = 1
A-Wn18821 = 1
Phalese1574 = 1
Phalese1583 = 1
PhaleseI/II_1546 = 1
PhaleseV_1547 = 1
Pifaro1546 = 1
Rippe1562(3) = 1
Rotta1546b = 1
S-Uu87 = 1
US-BEm763 = 1
US-WsVa159 = 1
Viaera1564 = 1
Waissel1592LB = 1
NL-DHnmiA20 = 1
IRL-DmZ3213 = 1
Mudarra1546 = 1
D-Mbs9516 = 1
Abondante1563 = 1
Attaingnant1529 = 1
Autori diversi per sonare per archicordi etc Libro primo 1551 = 1
Balletti1554 = 1
Barbetta1585 = 1
BianchiniD1546 = 1
CH-BuF.X.11 = 1
CH-SAM1 = 1
Caroso1581 = 1
D-Mbs267 = 1
D-Mbs271 = 1
D-Mbs1511b = 1
D-Mbs1512 = 1
D-Mbs2987 = 1
Morlaye1552 = 1
DaMilanoI_1556 = 1
Estrées1559 = 1
F-LYm6244 = 1
F-Pn429 = 1
Gerle1552 = 1
Gorzanis1561 = 1
HeckelDL1556 = 1
HeckelTL1556 = 1
I-CFd = 1
I-FnXIX168 = 1
Abondante1546 = 1
IRL-Dtc410-1 = 1
LeRoy1551 = 1
LeRoy1564 = 1
Wyssenbach1563 = 1

1a	Pauana detta la Borroncina dell'Eccellente P.Paulo Borrono da Milano (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 2r
	*ConcR1547* 1. DK-KkThott841 / 115v (1) \| 2. I-CFVd / 90r \| 3. I-CFVd / 100v (1) \| 4. I-CFd / 105v (1) \| 5. Phalese1573 / cc2r \| 6. Phalese1573 / gg1r \| 7. PhaleseIIII_1546 / cc2r \| 8. PhaleseII_1546 / gg1r \| 9. UA-LVu1400 / 30v \| 10. Wyssenbach1550 / 4r (N°1.a)
1b	Altro modo (OT) - DaMilanoBorrono1546 / 2v

2a	Saltarello Primo (OT) - DaMilanoBorrono1546 / 3v

2b	Altro modo (OT) - DaMilanoBorrono1546 / 4r
	*ConcR1733* 1. PhaleseIIII_1546 / ff4v \| 2. PhaleseIIII_1546 / gg1r
3a	Saltarello secondo della Duchessa (OT) - DaMilanoBorrono1546 / 4v
	*ConcR1831* 1. F-LYm6244 / 4v \| 2. Wyssenbach1550 / 7r
3b	Altro modo (OT) - DaMilanoBorrono1546 / 5r
	*ConcR1734* 1. PhaleseIIII_1546 / gg2r
3c	Le riprese (OT) - DaMilanoBorrono1546 / 5v

4	Saltarello terzo detto La Barbarina (OT) - DaMilanoBorrono1546 / 6v
	*ConcR1735* 1. PhaleseIIII_1546 / gg2v \| 2. Wyssenbach1550 / 10r
5	Pauana nouissima detta la Moniardina dell'Eccellente P. Paulo Borrono da Milano (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 7r
	*ConcR1730* 1. PhaleseIIII_1546 / cc3v \| 2. Wyssenbach1550 / 10v
6	Saltarello Primo (OT) - DaMilanoBorrono1546 / 8r
	*ConcR1736* 1. PhaleseIIII_1546 / gg3v
7a	Pauana detta la rinoldina dell'Eccellente P. Paulo Borrono. Per il Secondo et Terzo Saltarello toleti quelli de la Borroncina (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 8v
	*ConcR1732* 1. PhaleseIIII_1546 / dd4v \| 2. Wyssenbach1550 / 12v
7b	Altro modo (OT) - DaMilanoBorrono1546 / 9r

8a	Saltarello Primo (OT) - DaMilanoBorrono1546 / 9v

8b	Altro modo (OT) - DaMilanoBorrono1546 / 10r

9a	Saltarello secondo detta la mezza gamba (OT) - DaMilanoBorrono1546 / 11r
	*ConcR2120* 1. Wyssenbach1550 / 15r
9b	Altro modo (OT) - DaMilanoBorrono1546 / 11r

9c	Altro modo (OT) - DaMilanoBorrono1546 / 11v

9d	Le riprese (OT) - DaMilanoBorrono1546 / 11v

10a	Saltarello terzo detto Madonna zanna (OT) - DaMilanoBorrono1546 / 12v
	*ConcR1746* 1. PhaleseIIII_1546 / ii2v \| 2. Wyssenbach1550 / 17v
10b	Altro modo (OT) - DaMilanoBorrono1546 / 13r

11	Pauana nouissima detta la centoria dell'Eccellente P. Paulo Borrono da Milano (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 13v
	*ConcR1747* 1. PhaleseIIII_1546 / ee2r \| 2. Wyssenbach1550 / 18r
12	Saltarello Primo (OT) - DaMilanoBorrono1546 / 14r
	*ConcR2121* 1. Wyssenbach1550 / 18v
13a	Saltarello secondo nouissimo detto el Scharauelino. Per il terzo saltarello sonate il terzo de la rinoldina (OT) - DaMilanoBorrono1546 / 14v
	*ConcR2122* 1. Wyssenbach1550 / 19v
13b	Altro modo (OT) - DaMilanoBorrono1546 / 14v

14a	Pauana detta la Pianzolenta dell'Eccellente P. Paulo Borrono da Milano. (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 15r
	*ConcR1748* 1. PhaleseIIII_1546 / dd2v \| 2. Wyssenbach1550 / 20r
14b	Altro modo (OT) - DaMilanoBorrono1546 / 15v

15	Saltarello Primo (OT) - DaMilanoBorrono1546 / 16v
	*ConcR1743* 1. PhaleseIIII_1546 / hh4r
16a	Saltarello secondo detto la rocha el fuso (OT) - DaMilanoBorrono1546 / 17v
	*ConcR1384* 1. Balletti1554 / B4v \| 2. Caroso1581 / N°26 \| 3. D-Mbs1511b / 23r \| 4. D-Mbs1511d / 16v \| 5. D-Mbs1512 / 16v \| 6. D-Sl_G.I.4(1) / 10v \| 7. D-Sl_G.I.4(2) / 79v (1) \| 8. D-Sl_G.I.4(2) / 79v (2) \| 9. DK-KkThott841 / 114r (2) \| 10. Drusina1556 / 80 \| 11. Estrées1559 / N°37 (cons) \| 12. I-CFVd / 87v \| 13. I-CFVd / 99v \| 14. I-CFVd / 104v (1) \| 15. I-FnXIX168 / 19v \| 16. LeRoy1551 / N°10 (guit) \| 17. Morlaye1552 / N°17 (guit) \| 18. NL-At.208.A.27 / 47r \| 19. PL-KjW510 / N°88 \| 20. Pacoloni1564 / I.7v \| 21. Pacoloni1564 / II.9v \| 22. Pacoloni1564 / III.3r \| 23. Phalese1570 / N°74 (guit) \| 24. Phalese1583 / N°21 (cons) \| 25. PhaleseIIII_1546 / ii1r \| 26. Rotta1546a / 16r \| 27. Rotta1546b / 20v \| 28. US-BEm758 / 3v (2) \| 29. US-BEm758 / 22v \| 30. US-WsVa159 / 7v \| 31. Waissel1573 / L2v (2, N°36) \| 32. Waissel1592LB / E4v \| 33. Wyssenbach1550 / 23r See Pass'e mezzo: ConcR210: 1. D-Mbs9516 / 6v \| 2. Gorzanis1561 / F2v \| 3. IRL-Dtc410-1 / 250 \| 4. Pacoloni1564 / I.5v \| 5. Pacoloni1564 / II.7r \| 6. Pacoloni1564 / III.1v \| 7. Phalese1568 / 87r (2) \| 8. UA-LVu1400 / 10r
16b	Le riprese (OT) - DaMilanoBorrono1546 / 17v

17a	Saltarello terzo nouissimo detto che le el martello che tel sa dire. Volendo sonare le riprese toleti quelli che sono nel secondo Saltarello de la detta Pauana (OT) - DaMilanoBorrono1546 / 18v
	*ConcR1745* 1. PhaleseIIII_1546 / ii1v \| 2. Wyssenbach1550 / 24v
17b	Altro modo (OT) - DaMilanoBorrono1546 / 19r

18a	Pauana Milanese dell'Eccellente P. Paulo Borrono da Milano (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 19v
	*ConcR1249* 1. A-Wn18821 / 4r \| 2. Abondante1546 / E4r \| 3. Abondante1563 / E4r \| 4. Attaingnant1529 / 21 (Gaillarde) \| 5. Autori diversi per sonare per archicordi etc Libro primo 1551 / K (N°7 Le forze d'Hercole) \| 6. Barberis(IX)1549 / N°8 (Pass'e mezo) \| 7. Barberis(IX)1549 / N°13 (Piva) \| 8. Barberis(IX)1549 / N°14 (Pass'e mezo) \| 9. Barbetta1569 / 12 (Paso e mezo ficto) \| 10. Barbetta1569 / 12 (Paso e mezo ficto) \| 11. Barbetta1585 / 12 \| 12. BianchiniD1546 / B4r (Le forze derculle) \| 13. CH-BuF.X.11 / 22v \| 14. CH-SAM1 / 5r \| 15. Gerle1552 / M3v \| 16. HeckelDL1556 / 102 \| 17. HeckelTL1556 / 79 \| 18. LeRoy1564 / 16r (citt) \| 19. Mudarra1546 / 19 (N°16 Pavana II de Alesandre) \| 20. NL-At.208.A.27 / 49r (1) \| 21. Narvaez1538 / 88 (n°51 Otras tres diferencias hechas por otra parte) \| 22. NewsidlerH1536 / t1r (#66, Hie folget ein welscher tantz Wascha mesa) \| 23. Pacoloni1564 / I.45v \| 24. Pacoloni1564 / II.38r \| 25. Pacoloni1564 / III.18r (1) \| 26. Phalese1570 / 75v (citt) \| 27. PhaleseIIII_1546 / dd1r \| 28. Pifaro1546 / a1v (N°1, Chiarenzana de megio) \| 29. Rotta1546a / 3r (N°4, Pass'e mezo) \| 30. Rotta1546a / 4v (N°6, Padoana) \| 31. US-BEm763 / 1r \| 32. Viaera1564 / 18r (citt)
18b	Altro modo (OT) - DaMilanoBorrono1546 / 19v

19	La detta Pauana a duy Lauti (OT) - DaMilanoBorrono1546 / 20r

20a	Saltarello Primo (OT) - DaMilanoBorrono1546 / 20v
	*ConcR1738* 1. PhaleseIIII_1546 / gg4v
20b	Altro modo (OT) - DaMilanoBorrono1546 / 20v

20c	Altro modo (OT) - DaMilanoBorrono1546 / 20v

21	Il detto saltarello a duy Lauti (OT) - DaMilanoBorrono1546 / 21r

22	Saltarello secondo nouissimo detto no dite mai ch'io habbia il torto. (OT) - DaMilanoBorrono1546 / 21v
	*ConcR1544* 1. Drusina1556 / 78 \| 2. UA-LVu1400 / 15v \| 3. UA-LVu1400 / 39v \| 4. Waissel1573 / L4r (N°40) \| 5. Wyssenbach1550 / 28r
23	Saltarello terzo nouissimo detto le pur bon o ruschina (OT) - DaMilanoBorrono1546 / 22r
	*ConcR1739* 1. PhaleseIIII_1546 / hh1v \| 2. Wyssenbach1550 / 28v
24	Pauana nouissima detta la Bella V gazzetta dell'Eccellente P. Paulo Borrono da Milano (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 22r
	*ConcR1731* 1. PhaleseIIII_1546 / cc4v \| 2. Wyssenbach1550 / 29r
25	Saltarello Primo. Per il secondo et terzo Saltarello toleti quelli de la Milanesa (OT) - DaMilanoBorrono1546 / 23r
	*ConcR1737* 1. PhaleseIIII_1546 / gg4r
26	Pauana nova detta la bella zutes dell'Eccellente P. Paulo Borrono da Milano (P.P. Borrono da Milano) (OT) - DaMilanoBorrono1546 / 23v
	*ConcR1749* 1. PhaleseIIII_1546 / dd1v \| 2. Wyssenbach1550 / 30v
27	Saltarello Primo (OT) - DaMilanoBorrono1546 / 24r
	*ConcR1740* 1. PhaleseIIII_1546 / hh2r
28a	Saltarello secundo detto El Vercelese (OT) - DaMilanoBorrono1546 / 24v
	*ConcR1741* 1. PhaleseIIII_1546 / hh2v \| 2. Wyssenbach1550 / 32r
28b	Altro modo (OT) - DaMilanoBorrono1546 / 25r

28c	Le riprese (OT) - DaMilanoBorrono1546 / 25r

29a	Saltarello terzo detto De Leua su Brunetta (OT) - DaMilanoBorrono1546 / 26r
	*ConcR1742* 1. PhaleseIIII_1546 / hh3v \| 2.

Music for Lute InstrumentsA Database by Peter Steur and Markus Lutz

<< DaMilanoBorrono1546 >> << Browse entries >>

Intabvlatvra di Lavto del divino Francesco da Milano, et delleccellente Pietro Pavlo Borrono da milano Date: 1546DaMilanoBorrono1546 has 73 entries

Music for Lute Instruments
A Database by Peter Steur and Markus Lutz

<< DaMilanoBorrono1546 >>
<< Browse entries >>

Intabvlatvra di Lavto del divino Francesco da Milano, et delleccellente Pietro Pavlo Borrono da milano
Date: 1546
DaMilanoBorrono1546 has 73 entries