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Tabulaturbuch vff die Lutten : von mancherley Lieplicher Italianischer Dantzliedern mitsampt dem Vogelgsang vnd einer Fäldschlacht, vsz Wälhscher Tabulatur, flyssig in Thütsche gesetzt
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Liste der Quellen mit Konkordanzen zu Wyssenbach1550
(26 Stücke haben 118 Konkordanzen)
(26 Stücke haben 118 Konkordanzen)
Alphabetisch
Balletti1554 = 1
Caroso1581 N°26 = 1
D-Mbs267 = 1
D-Mbs1511b = 1
D-Mbs1511d = 1
D-Mbs1512 = 1
D-Mbs9516 = 1
D-SI_G.I.4(1) = 1
D-SI_G.I.4(2) = 6
DK-KkThott841 = 2
DaMilano-BorronoII (1546) = 2
DaMilano1556 = 1
DaMilanoBorrono1546 = 25
DaMilanoI_1546 = 7
DaMilanoI_1556 = 1
Drusina1556 = 2
Estrées1559 N°37 (cons) = 1
F-LYm6244 = 1
Gorzanis1561 = 1
I-CFVd = 8
I-CFd = 1
I-FnXIX168 = 1
IRL-Dtc410-1 = 1
LeRoy1551 N°10 (guit) = 1
Morlaye1552 N°17 (guit) = 1
NL-At.208.A.27 = 1
NewsidlerM1574 = 1
PL-KjW510 N°88 = 1
Pacoloni1564 = 6
Phalese1568 = 1
Phalese1570 N°74 (guit) = 1
Phalese1573 = 2
Phalese1583 N°21 (cons) = 1
PhaleseIIII_1546 = 14
PhaleseII_1546 = 5
Rotta1546a = 1
Rotta1546b = 1
UA-LVu1400 = 6
US-BEm758 = 2
US-WsVa159 = 1
Waissel1573 = 2
Waissel1592LB = 1
Wyssenbach1563 = 1
Caroso1581 N°26 = 1
D-Mbs267 = 1
D-Mbs1511b = 1
D-Mbs1511d = 1
D-Mbs1512 = 1
D-Mbs9516 = 1
D-SI_G.I.4(1) = 1
D-SI_G.I.4(2) = 6
DK-KkThott841 = 2
DaMilano-BorronoII (1546) = 2
DaMilano1556 = 1
DaMilanoBorrono1546 = 25
DaMilanoI_1546 = 7
DaMilanoI_1556 = 1
Drusina1556 = 2
Estrées1559 N°37 (cons) = 1
F-LYm6244 = 1
Gorzanis1561 = 1
I-CFVd = 8
I-CFd = 1
I-FnXIX168 = 1
IRL-Dtc410-1 = 1
LeRoy1551 N°10 (guit) = 1
Morlaye1552 N°17 (guit) = 1
NL-At.208.A.27 = 1
NewsidlerM1574 = 1
PL-KjW510 N°88 = 1
Pacoloni1564 = 6
Phalese1568 = 1
Phalese1570 N°74 (guit) = 1
Phalese1573 = 2
Phalese1583 N°21 (cons) = 1
PhaleseIIII_1546 = 14
PhaleseII_1546 = 5
Rotta1546a = 1
Rotta1546b = 1
UA-LVu1400 = 6
US-BEm758 = 2
US-WsVa159 = 1
Waissel1573 = 2
Waissel1592LB = 1
Wyssenbach1563 = 1
Nach Anzahl der Konkordanzen geordnet
DaMilanoBorrono1546 = 25
PhaleseIIII_1546 = 14
I-CFVd = 8
DaMilanoI_1546 = 7
Pacoloni1564 = 6
UA-LVu1400 = 6
D-SI_G.I.4(2) = 6
PhaleseII_1546 = 5
Waissel1573 = 2
US-BEm758 = 2
DK-KkThott841 = 2
DaMilano-BorronoII (1546) = 2
Phalese1573 = 2
Drusina1556 = 2
Phalese1568 = 1
Phalese1570 N°74 (guit) = 1
Balletti1554 = 1
Phalese1583 N°21 (cons) = 1
NewsidlerM1574 = 1
Rotta1546a = 1
Rotta1546b = 1
US-WsVa159 = 1
Waissel1592LB = 1
PL-KjW510 N°88 = 1
I-FnXIX168 = 1
NL-At.208.A.27 = 1
DaMilano1556 = 1
D-Mbs267 = 1
D-Mbs1511b = 1
D-Mbs1511d = 1
D-Mbs1512 = 1
D-Mbs9516 = 1
D-SI_G.I.4(1) = 1
DaMilanoI_1556 = 1
Morlaye1552 N°17 (guit) = 1
Estrées1559 N°37 (cons) = 1
F-LYm6244 = 1
Gorzanis1561 = 1
I-CFd = 1
Caroso1581 N°26 = 1
IRL-Dtc410-1 = 1
LeRoy1551 N°10 (guit) = 1
Wyssenbach1563 = 1
PhaleseIIII_1546 = 14
I-CFVd = 8
DaMilanoI_1546 = 7
Pacoloni1564 = 6
UA-LVu1400 = 6
D-SI_G.I.4(2) = 6
PhaleseII_1546 = 5
Waissel1573 = 2
US-BEm758 = 2
DK-KkThott841 = 2
DaMilano-BorronoII (1546) = 2
Phalese1573 = 2
Drusina1556 = 2
Phalese1568 = 1
Phalese1570 N°74 (guit) = 1
Balletti1554 = 1
Phalese1583 N°21 (cons) = 1
NewsidlerM1574 = 1
Rotta1546a = 1
Rotta1546b = 1
US-WsVa159 = 1
Waissel1592LB = 1
PL-KjW510 N°88 = 1
I-FnXIX168 = 1
NL-At.208.A.27 = 1
DaMilano1556 = 1
D-Mbs267 = 1
D-Mbs1511b = 1
D-Mbs1511d = 1
D-Mbs1512 = 1
D-Mbs9516 = 1
D-SI_G.I.4(1) = 1
DaMilanoI_1556 = 1
Morlaye1552 N°17 (guit) = 1
Estrées1559 N°37 (cons) = 1
F-LYm6244 = 1
Gorzanis1561 = 1
I-CFd = 1
Caroso1581 N°26 = 1
IRL-Dtc410-1 = 1
LeRoy1551 N°10 (guit) = 1
Wyssenbach1563 = 1
1 | Pavana genant / La Barroncina.
(OT) - Wyssenbach1550 / 4r |
ConcR1547 1. DK-KkThott841 / 115v (1) | 2. DaMilanoBorrono1546 / 2r | 3. I-CFVd / 90r | 4. I-CFVd / 100v (1) | 5. I-CFd / 105v (1) | 6. Phalese1573 / cc2r | 7. Phalese1573 / gg1r | 8. PhaleseIIII_1546 / cc2r | 9. PhaleseII_1546 / gg1r | 10. UA-LVu1400 / 30v | |
2 | Der erst Sprynngerdanntz
Saltarello Primo
(OT) - Wyssenbach1550 / 5v |
ConcR1548 1. DaMilanoBorrono1546 / 50v | 2. UA-LVu1400 / 32v | |
2a | uff ein annder ardt
(OT) - Wyssenbach1550 / 6v |
3 | Der ander Sprynngerdanntz [Della Duchesa]
(OT) - Wyssenbach1550 / 7r |
ConcR1831 1. DaMilanoBorrono1546 / 4v | 2. F-LYm6244 / 4v | |
3a | anderst
(OT) - Wyssenbach1550 / 8r |
4 | Der dritt Sprynngerdanntz genant Barbarina
(OT) - Wyssenbach1550 / 10r |
ConcR1735 1. DaMilanoBorrono1546 / 6v | 2. PhaleseIIII_1546 / gg2v | |
5 | Pauana genannt Moniardina .P.P.B.
(OT) - Wyssenbach1550 / 10v |
ConcR1730 1. DaMilanoBorrono1546 / 7r | 2. PhaleseIIII_1546 / cc3v | |
6 | Der erst Sprynngerdanntz
(OT) - Wyssenbach1550 / 11v |
7 | Pavana genant La Rinoldina.
(OT) - Wyssenbach1550 / 12v |
ConcR1732 1. DaMilanoBorrono1546 / 8v | 2. PhaleseIIII_1546 / dd4v | |
7a | anderst
(OT) - Wyssenbach1550 / 13r |
8 | Der erst Sprynngerdanntz
(OT) - Wyssenbach1550 / 14r |
8a | Anderst
(OT) - Wyssenbach1550 / 14v |
9 | Der ander genant La meza gamba
(OT) - Wyssenbach1550 / 15r |
ConcR2120 1. DaMilanoBorrono1546 / 11r | |
9a | uff ein andern weg
(OT) - Wyssenbach1550 / 15v |
10 | Anderst
(OT) - Wyssenbach1550 / 16r |
11 | Der dritt Spryngerdanntz genant Madonna Zoanna
(OT) - Wyssenbach1550 / 17v |
ConcR1746 1. DaMilanoBorrono1546 / 12v | 2. PhaleseIIII_1546 / ii2v | |
11a | Altro modo / Anderst
(OT) - Wyssenbach1550 / 18r |
12 | Pauana genannt La Centoria
(OT) - Wyssenbach1550 / 18r |
ConcR1747 1. DaMilanoBorrono1546 / 13v | 2. PhaleseIIII_1546 / ee2r | |
13 | Der erst Spryngerdanntz volgt hernach
(OT) - Wyssenbach1550 / 18v |
ConcR2121 1. DaMilano-BorronoII (1546) / 14r | |
14 | Der ander Spryngerdanntz el Scaranelino genannt,
(OT) - Wyssenbach1550 / 19v |
ConcR2122 1. DaMilano-BorronoII (1546) / 14v | |
14a | Anderst
(OT) - Wyssenbach1550 / 19v |
15 | Pauana genannt La Pianzolenta.
(OT) - Wyssenbach1550 / 20r |
ConcR1748 1. DaMilanoBorrono1546 / 15r | 2. PhaleseIIII_1546 / dd2v | |
15a | Anderst
(OT) - Wyssenbach1550 / 21r |
16 | Der erst Spryngerdanntz
(OT) - Wyssenbach1550 / 22r |
17 | Der ander Spryngerdanntz genant La Rocha el fuso
(OT) - Wyssenbach1550 / 23r |
ConcR1384
1. Balletti1554 / B4v | 2. Caroso1581 N°26 | 3. D-Mbs1511b / 23r | 4. D-Mbs1511d / 16v | 5. D-Mbs1512 / 16v | 6. D-SI_G.I.4(1) / 10v | 7. D-SI_G.I.4(2) / 79v (1) | 8. D-SI_G.I.4(2) / 79v (2) | 9. DK-KkThott841 / 114r (2) | 10. DaMilanoBorrono1546 / 17v | 11. Drusina1556 / 80 | 12. Estrées1559 N°37 (cons) | 13. I-CFVd / 87v | 14. I-CFVd / 99v | 15. I-CFVd / 104v (1) | 16. I-FnXIX168 / 19v | 17. LeRoy1551 N°10 (guit) | 18. Morlaye1552 N°17 (guit) | 19. NL-At.208.A.27 / 47r | 20. PL-KjW510 N°88 | 21. Pacoloni1564 / I.7v | 22. Pacoloni1564 / II.9v | 23. Pacoloni1564 / III.3r | 24. Phalese1570 N°74 (guit) | 25. Phalese1583 N°21 (cons) | 26. PhaleseIIII_1546 / ii1r | 27. Rotta1546a / 16r | 28. Rotta1546b / 20v | 29. US-BEm758 / 3v (2) | 30. US-BEm758 / 22v | 31. US-WsVa159 / 7v | 32. Waissel1573 / L2v (2, N°36) | 33. Waissel1592LB / E4v See Pass'e mezzo: ConcR210: 1. D-Mbs9516 / 6v | 2. Gorzanis1561 / F2v | 3. IRL-Dtc410-1 / 250 | 4. Pacoloni1564 / I.5v | 5. Pacoloni1564 / II.7r | 6. Pacoloni1564 / III.1v | 7. Phalese1568 / 87r (2) | 8. UA-LVu1400 / 10r | |
18 | Der dritt Spryngerdanntz genant Le el Martello che tel fa dire
(OT) - Wyssenbach1550 / 24v |
ConcR1745 1. DaMilanoBorrono1546 / 18v | 2. PhaleseIIII_1546 / ii1v | |
18a | Anderst
(OT) - Wyssenbach1550 / 25r |
19 | .P.P.B Pauana Milanesa.
(OT) - Wyssenbach1550 / 25v |
19a | Anderst
(OT) - Wyssenbach1550 / 26r |
19b | [2. parte]
(OT) - Wyssenbach1550 / 26v |
20 | Der erst Spryngerdanntz
(OT) - Wyssenbach1550 / 27r |
20a | Volgt annderst.
(OT) - Wyssenbach1550 / 27r |
20b | Anderst
(OT) - Wyssenbach1550 / 27v |
20c | [2. parte] Diss soll uff der anndern Luten zu diesem danntz geschlagen werdenn.
(OT) - Wyssenbach1550 / 27v |
21 | Der ander Sprynngerdantz genant Non dite mai ch‘io habia il torto.
(OT) - Wyssenbach1550 / 28r |
ConcR1544 1. DaMilanoBorrono1546 / 21v | 2. Drusina1556 / 78 | 3. UA-LVu1400 / 15v | 4. UA-LVu1400 / 39v | 5. Waissel1573 / L4r (N°40) | |
22 | Der dritt Spryngerdanntz genant Le pur bon o Ruschina.
(OT) - Wyssenbach1550 / 28v |
ConcR1739 1. DaMilanoBorrono1546 / 22r (1) | 2. PhaleseIIII_1546 / hh1v | |
23 | Pauana genannt La bella Vgazzota
(OT) - Wyssenbach1550 / 29r |
ConcR1731 1. DaMilanoBorrono1546 / 22r (2) | 2. PhaleseIIII_1546 / cc4v | |
24 | Der erst Spryngerdanntz
(OT) - Wyssenbach1550 / 30r |
25 | Pauana genannt La bella Judea
(OT) - Wyssenbach1550 / 30v |
ConcR1749 1. DaMilanoBorrono1546 / 23v | 2. PhaleseIIII_1546 / dd1v | |
26 | Der erst Spryngerdanntz
(OT) - Wyssenbach1550 / 31v |
27 | Der ander Spryngerdanntz genant el Vercelese.
(OT) - Wyssenbach1550 / 32r |
ConcR1741 1. DaMilanoBorrono1546 / 24v | 2. PhaleseIIII_1546 / hh2v | |
27a | Uff ein andere ardt
(OT) - Wyssenbach1550 / 32v |
28 | Der dritt Sprynngerdanntz genannt Deh Leua su Bruneta
(OT) - Wyssenbach1550 / 33v |
ConcR1742 1. DaMilanoBorrono1546 / 26r (1) | 2. PhaleseIIII_1546 / hh3v | |
28a | Annderst
(OT) - Wyssenbach1550 / 34r |
29 | Reuillez vous ceur. Das vogel gesanng
(Francesco da Milano) (OT) - Wyssenbach1550 / 34v |
ConcR1275
1. D-SI_G.I.4(2) / 4v | 2. DaMilanoBorrono1546 / 41v | 3. DaMilanoI_1546 / A1v | 4. DaMilanoI_1556 / 1 | 5. I-CFVd / 26r | 6. PhaleseII_1546 / m2v | 7. Wyssenbach1563 / 34v Moderne Editionen: The Lute Music of Francesco Canova da Milano (Arthur Ness) #120 | |
30 | Vous orrez amon aduis. Der ander theyl.
(Francesco da Milano) (OT) - Wyssenbach1550 / 35v |
ConcR1276
1. D-SI_G.I.4(2) / 5r | 2. DaMilanoBorrono1546 / 42v | 3. DaMilanoI_1546 / A2v | 4. I-CFVd / 26v | 5. PhaleseII_1546 / m3v Moderne Editionen: The Lute Music of Francesco Canova da Milano (Arthur Ness) #120 | |
31 | Rossignol du boys. Foly. Der dritt theyl
(Francesco da Milano) (OT) - Wyssenbach1550 / 37r |
ConcR1277
1. D-SI_G.I.4(2) / 5v | 2. DaMilanoBorrono1546 / 43v | 3. DaMilanoI_1546 / A3v | 4. I-CFVd / 27v | 5. PhaleseII_1546 / n1r Moderne Editionen: The Lute Music of Francesco Canova da Milano (Arthur Ness) #120 | |
32 | Arriere Maystre cogue. Der vierdt theyl.
(Francesco da Milano) (OT) - Wyssenbach1550 / 39r |
ConcR1278
1. D-SI_G.I.4(2) / 6r | 2. DaMilanoBorrono1546 / 44v | 3. DaMilanoI_1546 / B1r | 4. PhaleseII_1546 / n2v Moderne Editionen: The Lute Music of Francesco Canova da Milano (Arthur Ness) #120 | |
33 | Ein Franntzösische Fäldschlacht. Im abtzug,
(Francesco da Milano) (OT) - Wyssenbach1550 / 40v |
ConcR1279
1. D-Mbs267 / 34r | 2. DaMilano1556 / 6v | 3. DaMilanoBorrono1546 / 45v | 4. DaMilanoBorrono1546 / 47v | 5. DaMilanoI_1546 / B2v | 6. DaMilanoI_1546 / B4v cf. ConcR1561: 1. UA-LVu1400 / 37r Moderne Editionen: The Lute Music of Francesco Canova da Milano (Arthur Ness) #110b | |
34 | Der annder theyl.
(OT) - Wyssenbach1550 / 43r |
ConcR2119 1. DaMilanoBorrono1546 / 47v | 2. DaMilanoI_1546 / B4v | 3. NewsidlerM1574 / I2v |
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Peter Steur, Markus Lutz