Zuletzt geändert: 29. 05. 2021 (Konkordanzen), 25. 05. 2021 (Scripts)

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Einträge 1 bis 109 von 109 Einträgen (109 Stücke) werden angezeigt.

Verwendete Filter:
Instrumente = all,
Quelle = Mace.


Thomas Mace
Musick's Monument, London, 1676
Quelle online

Mace hat 109 Stücke


Liste der Quellen mit Konkordanzen zu Mace
(2 Stücke haben 18 Konkordanzen)
Alphabetisch
Interne Konk. = 2
D-B4230 = 2
F-Pn823 = 2
F-Pn1110 = 2
F-PnVmf51 = 2
GB-Balcarres = 2
GB-LbmBotnia = 2
GB-LbmSloane = 2
RF-SPanON124 = 2
Nach Anzahl der Konkordanzen geordnet
Interne Konk. = 2
D-B4230 = 2
F-Pn823 = 2
F-Pn1110 = 2
F-PnVmf51 = 2
GB-Balcarres = 2
GB-LbmBotnia = 2
GB-LbmSloane = 2
RF-SPanON124 = 2

1 1st lesson - Preludium for the Hand in C-fa-ut-Key (Thomas Mace)
B-Dur  (6g)    -   Mace / 88
2 The 2d. Praelude, in D-sol-re (Thomas Mace)
c-Moll  (6g)    -   Mace / 91
3 The Third Praelude, in E-la-mi (Thomas Mace)
d-Moll  (6g)    -   Mace / 93
4 The 4th Praelude for Fingering, in E-la-mi-Key (Thomas Mace)
Es-Dur  (6g)    -   Mace / 94
5 The 5th Praelude for Fingering, in Gam-ut-Key (Thomas Mace)
F-Dur  (6g)    -   Mace / 95
6 The Sixth Praelude in A-re-Key, for the Fingering (Thomas Mace)
g-Moll  (6g)    -   Mace / 97
7 The 7th Praelude, for Fingering (Thomas Mace)
a-Moll  (6g)    -   Mace / 98
8 Example in D sol re Key (Thomas Mace)
c-Moll  (6g)    -   Mace / 114
9 Example in E la mi Key (Thomas Mace)
d-Moll  (6g)    -   Mace / 114
10 Example in F fa ut Key (Thomas Mace)
Es-Dur  (6g)    -   Mace / 114
11 Example in Gam ut Key (Thomas Mace)
F-Dur  (6g)    -   Mace / 114
12 Example in B mi Key (Thomas Mace)
a-Moll  (6g)    -   Mace / 114
13 The First Praelude beginning in that Key C fa ut (Thomas Mace)
B-Dur  (6g)    -   Mace / 115
14 The 2nd Praelude in the 10th. above the Key (Thomas Mace)
B-Dur  (6g)    -   Mace / 116
15 The Third Praelude in the Fifth (Thomas Mace)
B-Dur  (6g)    -   Mace / 119
16 The 4th Praelude in the Eighth above (Thomas Mace)
B-Dur  (6g)    -   Mace / 119
17 Here begins the First Praelude of the 8 Suits of Lessons (Thomas Mace)
B-Dur  (6g)    -   Mace / 120
18 The First Lesson of the First Sett, called the Author's Mistress (Thomas Mace)
B-Dur  (6g)    -   Mace / 121
19 The 2nd Lesson of the first Sett, Named the Off-spring (or Part of My Mistress) (Thomas Mace)
B-Dur  (6g)    -   Mace / 125
20 The 3d Lesson of the 1st. Sett, named the Cozen-German (Thomas Mace)
B-Dur  (6g)    -   Mace / 126
21 The 4th. Lesson of the 1st. Sett, being a Coranto (Thomas Mace)
B-Dur  (6g)    -   Mace / 130
22 The 5th. Lesson of the 1st. Sett, being a Coranto but call'd I like my Humour well (Thomas Mace)
B-Dur  (6g)    -   Mace / 131
23 The 5th. Lesson of the 1st. Sett, being a Coranto (Thomas Mace)
B-Dur  (6g)    -   Mace / 132
24 The 7th. Lesson, and Conclusion of This 1st. Sett (Thomas Mace)
B-Dur  (6g)    -   Mace / 133
25 Interlude 1st (Thomas Mace)
B dur / Es dur  (6g)    -   Mace / 136
26 Interlude 2nd (Thomas Mace)
B dur / Es dur  (6g)    -   Mace / 136
27 Interlude 3rd (Thomas Mace)
B dur / Es dur  (6g)    -   Mace / 137
28 Interlude 4th (Thomas Mace)
B dur / Es dur  (6g)    -   Mace / 137
29 Interlude 5th (Thomas Mace)
B dur / Es dur  (6g)    -   Mace / 137
30 Interlude 6th (Thomas Mace)
B dur / Es dur  (6g)    -   Mace / 137
31 The 2d. Sett of Lessons, in F fa ut Key, being a Praelude (Thomas Mace)
Es-Dur  (6g)    -   Mace / 139
32 The 2d. Lesson of the 2d. Sett, being an Allmaine (Thomas Mace)
Es-Dur  (6g)    -   Mace / 140
33 The 3d. being an Ayre (Thomas Mace)
Es-Dur  (6g)    -   Mace / 140
34 The 4th. being an Ayre (Thomas Mace)
Es-Dur  (6g)    -   Mace / 141
35 The 5th. Lesson, being a Coranto (Thomas Mace)
Es-Dur  (6g)    -   Mace / 141
36 The 6th. Lesson of the 2d. Sett, being a Tattle de Moy (Thomas Mace)
Es-Dur  (6g)    -   Mace / 142
37 Interlude 1st (Thomas Mace)
Es dur / g moll  (6g)    -   Mace / 143
38 Interlude 2nd (Thomas Mace)
Es dur / g moll  (6g)    -   Mace / 143
39 Interlude 3rd (Thomas Mace)
Es dur / g moll  (6g)    -   Mace / 144
40 Interlude 4th (Thomas Mace)
Es dur / g moll  (6g)    -   Mace / 144
41 Interlude 4th (Thomas Mace)
Es dur / g moll  (6g)    -   Mace / 144
42 Interlude 6th (Thomas Mace)
Es dur / g moll  (6g)    -   Mace / 145
43 The 3rd. Sett of Lessons, in A re Key; Prelude 1 (Thomas Mace)
g-Moll  (6g)    -   Mace / 146
44 The 2d. Lesson of the 3d. Sett, being an Allmaine (Thomas Mace)
g-Moll  (6g)    -   Mace / 147
45 The 3d. Lesson in the 3d. Sett being a Coranto (Thomas Mace)
g-Moll  (6g)    -   Mace / 148
46 The 4th Lesson of the 3d Sett, being a Galliard-shape (The Penitent) (Thomas Mace)
g-Moll  (6g)    -   Mace / 149
47 The 5th Lesson of the 3d. Sett, called Hab-Nab (Thomas Mace)
g-Moll  (6g)    -   Mace / 150
48 The 6th. Lesson of the 3d. Sett (Thomas Mace)
g-Moll  (6g)    -   Mace / 152
49 The 7th. Lesson of the 3d. Sett (Thomas Mace)
g-Moll  (6g)    -   Mace / 153
50 Interlude 1st (Thomas Mace)
g moll / c moll  (6g)    -   Mace / 154
51 Interlude 2nd (Thomas Mace)
g moll / c moll  (6g)    -   Mace / 154
52 Interlude 3rd (Thomas Mace)
g moll / c moll  (6g)    -   Mace / 154
53 Interlude 4th (Thomas Mace)
g moll / c moll  (6g)    -   Mace / 154
54 Interlude 5th (Thomas Mace)
g moll / c moll  (6g)    -   Mace / 155
55 Interlude 6th (Thomas Mace)
g moll / c moll  (6g)    -   Mace / 155
56 The 4th. Sett in D sol re Key. The 1st. Is a Preludium (Thomas Mace)
c-Moll  (6g)    -   Mace / 156
57 2nd. Allmaine (Thomas Mace)
c-Moll  (6g)    -   Mace / 157
58 3rd. Galliard (Thomas Mace)
c-Moll  (6g)    -   Mace / 157
59 4th. Coranto (Thomas Mace)
c-Moll  (6g)    -   Mace / 158
60 5th. Coranto (Thomas Mace)
c-Moll  (6g)    -   Mace / 158
61 6th. Seraband (Thomas Mace)
c-Moll  (6g)    -   Mace / 159
62 7th. Tattle de Moy (Thomas Mace)
c-Moll  (6g)    -   Mace / 160
63 Interlude 1st (Thomas Mace)
c moll / F dur  (6g)    -   Mace / 161
64 Interlude 2nd (Thomas Mace)
c moll / F dur  (6g)    -   Mace / 161
65 Interlude 3rd (Thomas Mace)
c moll / F dur  (6g)    -   Mace / 161
66 Interlude 4th (Thomas Mace)
c moll / F dur  (6g)    -   Mace / 162
67 Interlude 5th (Thomas Mace)
c moll / F dur  (6g)    -   Mace / 162
68 Interlude 6th (Thomas Mace)
c moll / F dur  (6g)    -   Mace / 162
69 The 1st. Lesson of the 5th. Sett - Praelude (Thomas Mace)
F-Dur  (6g)    -   Mace / 163
70 2nd. Allmaine (Thomas Mace)
F-Dur  (6g)    -   Mace / 164
71 3rd. Ayre (Thomas Mace)
F-Dur  (6g)    -   Mace / 165
72 4th. Coranto (Thomas Mace)
F-Dur  (6g)    -   Mace / 165
73 5th. Seraband (Thomas Mace)
F-Dur  (6g)    -   Mace / 166
74 6th. Tattle de Moy (Thomas Mace)
F-Dur  (6g)    -   Mace / 166
75 Interlude 1st (Thomas Mace)
F dur / d moll  (6h)    -   Mace / 167
76 Interlude 2nd (Thomas Mace)
F dur / d moll  (6h)    -   Mace / 167
77 Interlude 3rd (Thomas Mace)
F dur / d moll  (6h)    -   Mace / 167
78 Interlude 4th (Thomas Mace)
F dur / d moll  (6h)    -   Mace / 168
79 Interlude 5th (Thomas Mace)
F dur / d moll  (6h)    -   Mace / 168
80 Interlude 6th (Thomas Mace)
F dur / d moll  (6h)    -   Mace / 168
81 The 6th. Sett, the 1st a Praelude (Thomas Mace)
d-Moll  (6h)    -   Mace / 169
82 2d. Allmaine (Thomas Mace)
d-Moll  (6h)    -   Mace / 170
83 3rd. Ayre (Thomas Mace)
d-Moll  (6h)    -   Mace / 170
84 4th. Galliard (Thomas Mace)
d-Moll  (6h)    -   Mace / 171
85 5th. Seraband (Thomas Mace)
d-Moll  (6h)    -   Mace / 172
86 6th. Tattle de Moy (Thomas Mace)
d-Moll  (6h)    -   Mace / 172
87 Interlude 1st (Thomas Mace)
d moll / a moll  (6h)    -   Mace / 173
88 Interlude 2nd (Thomas Mace)
d moll / a moll  (6h)    -   Mace / 174
89 Interlude 3rd (Thomas Mace)
d moll / a moll  (6h)    -   Mace / 174
90 Interlude 4th (Thomas Mace)
d moll / a moll  (6h)    -   Mace / 174
91 Interlude 5th (Thomas Mace)
d moll / a moll  (6h)    -   Mace / 175
92 Interlude 6th (Thomas Mace)
d moll / a moll  (6h)    -   Mace / 175
93 The 7th. Sett - Praelude (Thomas Mace)
a-Moll  (6j)    -   Mace / 176
94 2d. Allmaine (Thomas Mace)
a-Moll  (6j)    -   Mace / 177
95 3d. Allmaine (Thomas Mace)
a-Moll  (6j)    -   Mace / 178
96 4th. Coranto (Thomas Mace)
a-Moll  (6j)    -   Mace / 178
97 5th. Ayre (Thomas Mace)
a-Moll  (6j)    -   Mace / 179
98 6th. Ringing, or Bell-Galliard (Thomas Mace)
a-Moll  (6j)    -   Mace / 180
99 7th. Seraband (Thomas Mace)
a-Moll  (6j)    -   Mace / 180
100 8th. Tattle de Moy (Thomas Mace)
a-Moll  (6j)    -   Mace / 181
101 Sett of Lessons in the New Tuning - 1st. Praelude (Thomas Mace)
d-Moll    -   Mace / 182
102 2nd. Allmaine (Thomas Mace)
d-Moll    -   Mace / 182
103 3rd. Ayre (Thomas Mace)
d-Moll    -   Mace / 183
104 4th. Coranto (Thomas Mace)
d-Moll    -   Mace / 184
105 5th. Seraband (Thomas Mace)
d-Moll    -   Mace / 185
106 6th. Tattle de Moy (Thomas Mace)
d-Moll    -   Mace / 185
107 Sarabande (J.Mercure, CLFMer II, Nį16)
d-Moll    -   Mace / 188
Conc_1768
1. F-Pn823 / 22v (#18)   | 2. F-Pn1110 / 2r (#1)   | 3. F-PnVmf51 / #1   | 4. GB-Balcarres / 82 (1)   | 5. GB-LbmBotnia / 98v   | 6. GB-LbmSloane / 113v   | 7. Mace / 189 (flat tuning)   | 8. RF-SPanON124 / 53r (#96)  

Contrepartie: Conc_4246
108 Sarabande (J.Mercure, CLFMer II, Nį16)
d-Moll  (6g)    -   Mace / 189
Conc_1768
1. F-Pn823 / 22v (#18)   | 2. F-Pn1110 / 2r (#1)   | 3. F-PnVmf51 / #1   | 4. GB-Balcarres / 82 (1)   | 5. GB-LbmBotnia / 98v   | 6. GB-LbmSloane / 113v   | 7. Mace / 188   | 8. RF-SPanON124 / 53r (#96)  

Contrepartie: Conc_4246
109 The Nightingall (Thomas Mace)
B-Dur  (6g)    -   Mace / 201

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