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Type		(Erklärung der Filterfunktion) Wichtig: Alle Filter beachten Groß- und Kleinschreibung und können miteinander kombiniert werden. Momentan können die Filter nur manuell gelöscht werden, indem man alle Felder leert und einmal auf Filtern... klickt. At the moment the fields can only be erased manually by emptying them and clicking on Filter... once. \n Instrumente: Es werden die Instrumente gefiltert, die in der Datenbank vorkommen (Kleinbuchstaben finden alle Bezüge, inkl. der Konkordanzen, Großbuchstaben alle Quellen mit Musik für das jeweilige Instrument). Es werden aber jeweils die kompletten Quellen angezeigt: Barocklaute = bl/BL Renaissancelaute = rl/RL Angelique = ang/ANG Barockgitarre = bg/BG Accord Nouveaux = ACN Ensemble = EN Theorbe = TH Mandora = ma/MA Andere Zupfinstrumente = VS Signatur: Bei der Signatur wird grundsätzlich vom Beginn an gefiltert und in allen Quellen gesucht.\n Es ist hier möglich, nach Ländern (z.b. A für Österreich oder US für die Vereinigten Staaten von Amerika zu suchen) bzw. nach Bibliotheken (A-KR = Kremsmünster) zu suchen. Es werden die Kurz-Signaturen verwendet. Inzipitsuche: Hiermit ist es möglich, die Inzipits nach Konkordanzen oder Ähnlichkeiten zu durchsuchen. Es wird die abctab2ps-Schreibweise verwendet, allerdings ohne Verzierungen (cf: http://www.lautengesellschaft.de/cdmm/userguide/node8.html). Es reicht, die jeweils oberste Stimme anzugeben. Die Noten werden durch Leerzeichen getrennt. Z.B. wird bei bei \"e \| ,a e\" die bekannte Weiss-Bourree gefunden. Durch Hinzufügen von einem weiteren Leerzeichen zwischen den Noten ergibt sich ein definierter Platzhalter. Mit x1 oder x2 werden 1 bzw. 2 variable Platzhalter eingefügt. Taktstriche können mit \"\|\" angegeben werden, was die Treffergenauigkeit erhöhen kann. Titel: Hier ist es möglich, nach einer beliebigen Zeichenkette innerhalb des Titels zu suchen. Tonart: Durtonarten werden mit Großbuchstaben, moll-Tonarten mit Kleinbuchstaben angegeben, zu denen ein b oder # treten können (z.B. f# für fis-moll oder Eb für Es-Dur). Weil manche Tonarten unterschiedlich bezeichnet wurden (z.B. Es-Dur und Dis-Dur), werden unter Umständen nicht alle Vorkommen gefunden. Komponist: Hier ist es möglich, nach einer beliebigen Zeichenkette innerhalb des Komponistenfeldes zu suchen.
Instrumente	Signatur	Inzipitsuche
Titel	Komponist	Tonart

Intavolatvra de Livto di Ivlio Cesare Barbetta Padoana doue si contiene Padoane Arie Baletti Pass' e mezi Saltarelli per Ballar à la Italiana, & altre cose diletteuoli secondo l'uso di questi tempi, Accommodato per Sonar con Sei e Sette Ordeni de corde.
Quelle online
Barbetta1585 hat 77 Stücke

Liste der Quellen mit Konkordanzen zu Barbetta1585
(10 Stücke haben 457 Konkordanzen)

Alphabetisch

A-KR64 = 1
A-KR81 = 5
A-Wn1586 = 1
A-Wn18821 = 1
Abondante1546 = 1
Abondante1563 = 1
Abondante1587 = 1
Adriaenssen1584 = 1
Adriaenssen1592 = 1
Adriaenssen1600 = 1
Ammerbach1583 = 1
Attaingnant1529 = 1
Autori diversi per sonare per archicordi etc Libro primo 1551 = 1
B-Br16.662 = 2
B-Br275 = 6
Barberis(IX)1549 N°8 (Pass'e mezo) = 1
Barberis(IX)1549 N°13 (Piva) = 1
Barberis(IX)1549 N°14 (Pass'e mezo) = 1
Barberis(IX)1549 N°17 (Vesentino Bergamasca) = 1
Barbetta1569 = 1
Becchi1568 = 1
Besard1603 = 6
Besard1617 = 2
BianchiniD1546 = 1
CDN-Mc = 6
CH-BuF.IX.70 = 14
CH-BuF.X.11 = 1
CH-GbuschHerhold = 2
CH-SAM1 = 2
CZ-PnmIVG18 = 2
CZ-PnmXIIIB237 = 1
CZ-PnmXXIIIF174 = 6
Calvi1646 = 3
Caroso1581 = 3
Caroso1600 = 4
Chardavoine1576 = 1
Collona1637 = 1
Colonna1637 = 1
Corbetta1639 = 2
Costanzo1627 = 1
Costanzo1627 N°8 (gt) = 1
D-B479 = 2
D-B4022 = 8
D-B40098 N°108a-b = 1
D-B40141 = 3
D-B40165 = 1
D-B40264 = 1
D-B40642 = 1
D-BAUk85 = 3
D-BHove1 = 3
D-DEl_BB_12150 = 1
D-DO1214 = 1
D-Dl_M297 = 1
D-HsM2768 = 2
D-KNhR242 = 2
D-KNrR242 N°112 = 1
D-Kl_Montbuysson = 1
D-LEm6-15 = 8
D-LEm6-23 = 4
D-Lr2000 = 4
D-Mbs93 = 1
D-Mbs266 = 2
D-Mbs1511b = 3
D-Mbs21646 = 4
D-Ngm33748-1 = 2
D-SI_G.I.4(1) = 9
D-SI_G.I.4(2) = 2
D-WGuelf18.7 = 3
D-WGuelf18.8 = 8
DK-KkThot841 = 1
DK-KkThott841 = 1
DaMilano1536C = 1
DaMilanoBorrono1546 = 1
Denss1594 = 1
DuTertre1557 = 1
F-AIXm17 = 1
F-LYm6244 = 1
F-Pn28 = 3
F-Pn29 = 3
F-Pn30 = 2
F-Pn31 = 3
F-Pn48 = 1
F-Pn50 = 1
F-Pn941 = 5
F-Pn1108 = 2
F-Pn1136 = 1
F-PnF993 = 1
F-VE711 = 1
Fallamero1584 = 2
Frescobaldi1635 = 1
Fuhrmann1615 = 2
GB-Cfm168 (FWVB) = 2
GB-Cfm689 = 1
GB-CuAdd8844 = 1
GB-CuDd423 = 1
GB-EuAdv5218 = 1
GB-EuDc5125 = 2
GB-EuLaIII487 = 1
GB-HAB1 = 3
GB-Lbl29485 = 1
GB-LblA31389 = 1
GB-LblEg2046 = 1
GB-LblR.App59-62 = 1
GB-LblSloane1021 = 4
GB-ObD410 = 1
GB-WMI-7 = 1
GB-Welde = 1
Gardano1611 = 1
Gaspari1661 = 1
Gerle1552 = 1
GianoncelliI1650 = 1
Gorzanis1579 = 1
GorzanisTL1564 = 1
HeckelDL1556 = 1
HeckelTL1556 = 1
Holborn1597 = 1
Hove601 = 1
Hove1612 = 3
I-BDGchilesotti = 4
I-BasIV-86-746a = 2
I-Coc1-1-20 = 1
I-FnXIX30 = 4
I-FnXIX105 = 3
I-FnXIX106 = 2
I-FnXIX179 = 1
I-Lg774 = 3
I-MOsB = 2
I-Nc7664 = 7
I-PESalb4 = 2
I-PESalb21 = 2
I-PESc-b10 = 5
I-PESc-b14 = 2
I-SGc31 = 1
I-TRc1947 = 8
I-Vnm1793 = 1
I-Vnm1910 N°25 (gt) = 1
I-Vnm1910 N°26 (gt) = 1
I-Vnm1910 N°27 (gt) = 1
I-Vnm1910 N°28 (gt) = 1
I-Vnm1910 N°51 (gt) = 1
IRL-DmZ3213 = 1
IRL-Dtc408-2 = 1
IRL-Dtc410-1 = 4
Jobin1572 = 1
Jobin1573 = 2
KapsbergerIC1640 = 1
KargelRC1578 = 1
LT-Vs285LXXIX = 9
LeRoy1564 = 1
LeRoy1568 = 1
Marchetti1660 = 2
Marchetti1661 = 1
Millioni-Monte1642 = 1
Millioni1627 = 2
Millioni1627 N°9 (gt) = 1
Millioni1627 N°15 (gt) = 1
Montesardo1606 = 2
Morlaye1552 = 1
MorlayeII_1558 = 1
MortierON(2)1700 = 1
Mudarra1546 = 1
N-Onm5038 = 1
NL-At.208.A.27 = 3
NL-Lt1666 = 20
NL-Ulb RAR MSq1 = 1
Narvaez1538 = 1
Negri1602 = 2
NewsidlerH1536 = 1
NewsidlerTL1574 = 1
Nörmiger1598 N°130 = 1
PL-Kj40032 = 3
PL-Kj40143 = 6
PL-Kj40153 = 1
PL-Kj40583 = 1
PL-Kj40591 = 1
PL-KjW510 = 1
PL-LZu3779 = 1
PL-Lw1985 = 1
Pacoloni1564 = 3
Phalese1549 = 1
Phalese1563 = 2
Phalese1568 = 2
Phalese1574 = 1
PhaleseCH1582 = 1
PhaleseHC1570 = 2
PhaleseHC1582 = 2
PhaleseIIII_1546 = 1
PhaleseSE1570 = 2
Piccinini1623 = 4
Piccinini1639 = 1
Piccioli1588 = 1
Pifaro1546 = 1
Praetorius1612 = 1
RF-SPanON124 = 1
RogerON(2)1700 = 1
RogerON(5)1700 = 1
RogerON(6)1700 = 1
Rossi(IV)1622 = 1
Rotta1546a = 2
S-B172 = 2
Sanseverino1622 = 3
Terzi1593 = 4
Terzi1599 = 2
Trombetti1639 = 1
US-BEm757 = 2
US-BEm759 = 1
US-BEm760 = 1
US-BEm761 = 4
US-BEm763 = 1
US-Dmu19454(iii) = 1
US-NYpl_Drexel5609 = 1
US-SFscM21M3 = 6
Uccellini1642 = 1
Valerius1626 = 1
Vallet1615 = 2
Viadana1610 = 1
Viaera1564 = 1
Vreedman1569 = 1
Waissel1573 = 3
Waissel1591 = 1
Waissel1592LB = 2
Zannetti1645 = 1

Nach Anzahl der Konkordanzen geordnet

NL-Lt1666 = 20
CH-BuF.IX.70 = 14
D-SI_G.I.4(1) = 9
LT-Vs285LXXIX = 9
D-LEm6-15 = 8
I-TRc1947 = 8
D-B4022 = 8
D-WGuelf18.8 = 8
I-Nc7664 = 7
PL-Kj40143 = 6
B-Br275 = 6
CDN-Mc = 6
US-SFscM21M3 = 6
Besard1603 = 6
CZ-PnmXXIIIF174 = 6
F-Pn941 = 5
I-PESc-b10 = 5
A-KR81 = 5
Terzi1593 = 4
IRL-Dtc410-1 = 4
GB-LblSloane1021 = 4
D-LEm6-23 = 4
D-Lr2000 = 4
D-Mbs21646 = 4
Piccinini1623 = 4
Caroso1600 = 4
I-FnXIX30 = 4
I-BDGchilesotti = 4
US-BEm761 = 4
D-WGuelf18.7 = 3
PL-Kj40032 = 3
F-Pn31 = 3
I-Lg774 = 3
D-BHove1 = 3
D-BAUk85 = 3
Hove1612 = 3
Pacoloni1564 = 3
D-B40141 = 3
I-FnXIX105 = 3
D-Mbs1511b = 3
F-Pn28 = 3
GB-HAB1 = 3
Waissel1573 = 3
Sanseverino1622 = 3
Caroso1581 = 3
Calvi1646 = 3
NL-At.208.A.27 = 3
F-Pn29 = 3
Phalese1563 = 2
Phalese1568 = 2
I-PESc-b14 = 2
Jobin1573 = 2
I-PESalb21 = 2
PhaleseHC1582 = 2
I-PESalb4 = 2
Millioni1627 = 2
I-MOsB = 2
F-Pn30 = 2
F-Pn1108 = 2
Fuhrmann1615 = 2
GB-Cfm168 (FWVB) = 2
I-FnXIX106 = 2
GB-EuDc5125 = 2
Negri1602 = 2
Marchetti1660 = 2
I-BasIV-86-746a = 2
Montesardo1606 = 2
Fallamero1584 = 2
PhaleseHC1570 = 2
D-SI_G.I.4(2) = 2
D-B479 = 2
Waissel1592LB = 2
Vallet1615 = 2
B-Br16.662 = 2
US-BEm757 = 2
Besard1617 = 2
Terzi1599 = 2
CH-GbuschHerhold = 2
CH-SAM1 = 2
S-B172 = 2
Rotta1546a = 2
Corbetta1639 = 2
CZ-PnmIVG18 = 2
PhaleseSE1570 = 2
D-Ngm33748-1 = 2
D-KNhR242 = 2
D-Mbs266 = 2
D-HsM2768 = 2
Millioni-Monte1642 = 1
Marchetti1661 = 1
Trombetti1639 = 1
Phalese1549 = 1
US-BEm759 = 1
US-BEm760 = 1
US-BEm763 = 1
US-Dmu19454(iii) = 1
LeRoy1568 = 1
US-NYpl_Drexel5609 = 1
Millioni1627 N°9 (gt) = 1
Uccellini1642 = 1
Valerius1626 = 1
Phalese1574 = 1
Viadana1610 = 1
Viaera1564 = 1
LeRoy1564 = 1
Vreedman1569 = 1
Waissel1591 = 1
KargelRC1578 = 1
KapsbergerIC1640 = 1
PhaleseCH1582 = 1
Jobin1572 = 1
PhaleseIIII_1546 = 1
Piccioli1588 = 1
Millioni1627 N°15 (gt) = 1
RogerON(6)1700 = 1
PL-KjW510 = 1
PL-Kj40591 = 1
PL-Kj40583 = 1
Praetorius1612 = 1
PL-Kj40153 = 1
RF-SPanON124 = 1
RogerON(2)1700 = 1
RogerON(5)1700 = 1
PL-LZu3779 = 1
Nörmiger1598 N°130 = 1
NewsidlerTL1574 = 1
NewsidlerH1536 = 1
Pifaro1546 = 1
Rossi(IV)1622 = 1
PL-Lw1985 = 1
Narvaez1538 = 1
NL-Ulb RAR MSq1 = 1
Piccinini1639 = 1
IRL-Dtc408-2 = 1
N-Onm5038 = 1
Mudarra1546 = 1
MortierON(2)1700 = 1
MorlayeII_1558 = 1
Morlaye1552 = 1
A-KR64 = 1
Gorzanis1579 = 1
IRL-DmZ3213 = 1
D-B40642 = 1
Collona1637 = 1
Colonna1637 = 1
Costanzo1627 = 1
Costanzo1627 N°8 (gt) = 1
D-B40098 N°108a-b = 1
D-B40165 = 1
D-B40264 = 1
D-DEl_BB_12150 = 1
CZ-PnmXIIIB237 = 1
D-DO1214 = 1
D-Dl_M297 = 1
D-KNrR242 N°112 = 1
D-Kl_Montbuysson = 1
D-Mbs93 = 1
DK-KkThot841 = 1
DK-KkThott841 = 1
Chardavoine1576 = 1
CH-BuF.X.11 = 1
DaMilanoBorrono1546 = 1
Adriaenssen1600 = 1
A-Wn1586 = 1
A-Wn18821 = 1
Abondante1546 = 1
Abondante1563 = 1
Abondante1587 = 1
Adriaenssen1584 = 1
Adriaenssen1592 = 1
Ammerbach1583 = 1
BianchiniD1546 = 1
Attaingnant1529 = 1
Autori diversi per sonare per archicordi etc Libro primo 1551 = 1
Barberis(IX)1549 N°8 (Pass'e mezo) = 1
Barberis(IX)1549 N°13 (Piva) = 1
Barberis(IX)1549 N°14 (Pass'e mezo) = 1
Barberis(IX)1549 N°17 (Vesentino Bergamasca) = 1
Barbetta1569 = 1
Becchi1568 = 1
DaMilano1536C = 1
Denss1594 = 1
I-Vnm1910 N°51 (gt) = 1
Hove601 = 1
Gaspari1661 = 1
Gerle1552 = 1
GianoncelliI1650 = 1
GorzanisTL1564 = 1
HeckelDL1556 = 1
HeckelTL1556 = 1
Holborn1597 = 1
I-Coc1-1-20 = 1
GB-Welde = 1
I-FnXIX179 = 1
I-SGc31 = 1
I-Vnm1793 = 1
I-Vnm1910 N°25 (gt) = 1
I-Vnm1910 N°26 (gt) = 1
I-Vnm1910 N°27 (gt) = 1
I-Vnm1910 N°28 (gt) = 1
Gardano1611 = 1
GB-WMI-7 = 1
DuTertre1557 = 1
Frescobaldi1635 = 1
F-AIXm17 = 1
F-LYm6244 = 1
F-Pn48 = 1
F-Pn50 = 1
F-Pn1136 = 1
F-PnF993 = 1
F-VE711 = 1
GB-Cfm689 = 1
GB-ObD410 = 1
GB-CuAdd8844 = 1
GB-CuDd423 = 1
GB-EuAdv5218 = 1
GB-EuLaIII487 = 1
GB-Lbl29485 = 1
GB-LblA31389 = 1
GB-LblEg2046 = 1
GB-LblR.App59-62 = 1
Zannetti1645 = 1

Padoane per ballare secondo l'vso di Venetia & d'altri lochi
1	Padoana Prima, Deta la Dispettosa (OT) - Barbetta1585 / 1

2	Padoana Seconda, Deta la bella dorotea (OT) - Barbetta1585 / 2

3	Padoana Terza, Deta la Lubiana (OT) - Barbetta1585 / 3

4	Padoana Quarta, Deta la Squillitria (OT) - Barbetta1585 / 4

5	Padoana Quinta, Deta Chi mira gl'occhi tuoi (O. Vecchi) (OT) - Barbetta1585 / 4
	*ConcR493* 1. Adriaenssen1592 / 55r \| 2. B-Br275 / 50r (2) \| 3. Besard1603 / 40v (2) \| 4. CDN-Mc / 5v \| 5. D-SI_G.I.4(2) / 43r \| 6. D-WGuelf18.7 / II.13r (1) \| 7. D-WGuelf18.7 / II.13r (2) \| 8. Fallamero1584 / 40 \| 9. GB-HAB1 / 160r \| 10. I-BDGchilesotti / 6 \| 11. PL-Kj40143 / 24v \| 12. Waissel1592LB / G2r (3) Moderne Editionen: O. Vecchi, Canzonette Libro Primo 1580 N°6
6	Padoana Sesta, Deta Campai contento (O.Vecchi) (OT) - Barbetta1585 / 5
	*ConcR468* 1. B-Br275 / 50v (1) \| 2. Besard1603 / 42r (2) \| 3. CDN-Mc / 6r \| 4. CH-BuF.IX.70 / 102 \| 5. CH-BuF.IX.70 / 105 \| 6. CZ-PnmIVG18 / 111v \| 7. D-B40141 / 69v \| 8. D-B40141 / 248r \| 9. D-B40141 / 262v \| 10. D-KNrR242 N°112 \| 11. D-SI_G.I.4(2) / 49r \| 12. D-WGuelf18.7 / II.13v \| 13. Denss1594 / 24r \| 14. F-Pn1108 / 11r \| 15. Fallamero1584 / 47 \| 16. GB-HAB1 / 160v \| 17. PL-Kj40143 / 32v \| 18. PL-Kj40583 / 19 \| 19. Piccioli1588 / 1 \| 20. Waissel1592LB / G1v (2) cf. O. Vecchi, Canzonette Libro Prima 1580 N°2 Moderne Editionen: RISM A/I V 1580a, N°1
7	Padoana Settima, Deta La Farfarella (OT) - Barbetta1585 / 6

8	Padoana Ottaua, Deta Zo per la Brenta (OT) - Barbetta1585 / 7

Arie con le qvale si pvo cantare Stanze, e Versi d'ogni sorte, Secondo l'vso di Venetia & anco de altri Paesi
9a	Aria Prima (OT) - Barbetta1585 / 8

9b	Ripresa (OT) - Barbetta1585 / 8

10a	Aria Seconda (OT) - Barbetta1585 / 8

10b	Ripresa (OT) - Barbetta1585 / 8

11a	Aria Terza (OT) - Barbetta1585 / 9

11b	Ripresa (OT) - Barbetta1585 / 9

12a	Aria Quarta (OT) - Barbetta1585 / 9

12b	Ripresa (OT) - Barbetta1585 / 9

13a	Aria Quinta (OT) - Barbetta1585 / 10

13b	Ripresa (OT) - Barbetta1585 / 10

14a	Aria Sesta (OT) - Barbetta1585 / 10

14b	Ripresa (OT) - Barbetta1585 / 10

Moresche Vsitate per Diuersi Paesi
15	Moresca Prima, Deta le Canarie (OT) - Barbetta1585 / 11

16	Moresca seconda deta le forze (OT) - Barbetta1585 / 12
	*ConcR1249* 1. A-Wn18821 / 4r \| 2. Abondante1546 / E4r \| 3. Abondante1563 / E4r \| 4. Attaingnant1529 / 21 (Gaillarde) \| 5. Autori diversi per sonare per archicordi etc Libro primo 1551 / K (N°7 Le forze d'Hercole) \| 6. Barberis(IX)1549 N°8 (Pass'e mezo) \| 7. Barberis(IX)1549 N°13 (Piva) \| 8. Barberis(IX)1549 N°14 (Pass'e mezo) \| 9. Barbetta1569 / 12 (Paso e mezo ficto) \| 10. BianchiniD1546 / B4r (Le forze derculle) \| 11. CH-BuF.X.11 / 22v \| 12. CH-SAM1 / 5r \| 13. DaMilanoBorrono1546 / 19v (Pavana Milanesa) \| 14. Gerle1552 / M3v \| 15. HeckelDL1556 / 102 \| 16. HeckelTL1556 / 79 \| 17. Mudarra1546 / 19 (N°16 Pavana II de Alesandre) \| 18. NL-At.208.A.27 / 49r (1) \| 19. Narvaez1538 / 88 (n°51 Otras tres diferencias hechas por otra parte) \| 20. NewsidlerH1536 / t1r (#66, Hie folget ein welscher tantz Wascha mesa) \| 21. Pacoloni1564 / I.45v \| 22. Pacoloni1564 / II.38r \| 23. Pacoloni1564 / III.18r (1) \| 24. PhaleseIIII_1546 / dd1r \| 25. Pifaro1546 / a1v (N°1, Chiarenzana de megio) \| 26. Rotta1546a / 3r (N°4, Pass'e mezo) \| 27. Rotta1546a / 4v (N°6, Padoana) \| 28. US-BEm763 / 1r
17	Moresca Terza, Deta Il Mattacino (OT) - Barbetta1585 / 13
	*ConcR952* 1. B-Br275 / 11r (2) \| 2. CH-BuF.IX.70 / 101 (3) \| 3. F-Pn28 / 11r (1) \| 4. I-FnXIX105 / 16v (1) \| 5. I-Lg774 / 12v \| 6. I-Nc7664 / 84v \| 7. I-PESc-b14 / 20v \| 8. I-SGc31 / 10r (2) \| 9. Jobin1572 / L4v \| 10. LeRoy1564 / 15v \| 11. Morlaye1552 / 28r \| 12. NL-Lt1666 / 416r \| 13. Phalese1549 / I4r \| 14. PhaleseCH1582 / 90v \| 15. PhaleseHC1570 / 75r \| 16. PhaleseSE1570 / 79v \| 17. US-SFscM21M3 / 32 \| 18. Waissel1573 / M4r See ConcR1000: 1. A-KR81 / 154v (#136) \| 2. CH-BuF.IX.70 / 263 (2, #285) \| 3. D-DEl_BB_12150 / 62r \| 4. D-LEm6-15 / X.4v (#351) \| 5. DK-KkThott841 / 81v (4) \| 6. LT-Vs285LXXIX / 11v (7) \| 7. Nörmiger1598 N°130
18	Moresca Quarta Deta la Bergamasca (Giovanni Battista Domenico, CLFVal N°33) (OT) - Barbetta1585 / 14
	pp 15-16 missing? *Conc_45* 1. A-KR64 / 28v \| 2. A-KR81 / 51r \| 3. A-KR81 / 152v \| 4. A-KR81 / 163r (guitar, F dur) \| 5. A-Wn1586 / 26v \| 6. Abondante1587 / 58 \| 7. B-Br275 / 12r \| 8. Barberis(IX)1549 N°17 (Vesentino Bergamasca) \| 9. Becchi1568 / 49r (Pass'e mezzo della Saracena) \| 10. Besard1603 / 106v \| 11. Besard1617 / 49 \| 12. CDN-Mc / 39r \| 13. CH-BuF.IX.70 / 288 \| 14. CH-BuF.IX.70 / 291 \| 15. CH-GbuschHerhold / 28r (F dur) \| 16. CZ-PnmXXIIIF174 / 13 (2) \| 17. Calvi1646 / 21 (gt) \| 18. Corbetta1639 / 59 (gt) \| 19. Costanzo1627 N°8 (gt) \| 20. D-B479 / 1r \| 21. D-B479 / 70v \| 22. D-B4022 / 14r (2) \| 23. D-B4022 / 45v (2, F dur) \| 24. D-B40165 / 1 \| 25. D-B40264 / 90 \| 26. D-BAUk85 / 47 (1, F dur) \| 27. D-BAUk85 / 52 (2, F dur) \| 28. D-BHove1 / 166r (1) \| 29. D-BHove1 / 166r (2) \| 30. D-BHove1 / 167r \| 31. D-DO1214 / 27 \| 32. D-Dl_M297 / 174 (F dur) \| 33. D-HsM2768 / 10 (2, F dur) \| 34. D-KNhR242 / 203v \| 35. D-KNhR242 / 204v (F dur) \| 36. D-LEm6-15 / V.16v (F dur) \| 37. D-LEm6-15 / X.2r (2) \| 38. D-LEm6-15 / X.13r \| 39. D-LEm6-23 / 118 \| 40. D-Lr2000 / 17 \| 41. D-Lr2000 / 64 (1) \| 42. D-Lr2000 / 64 (2) \| 43. D-Mbs93 / IVv \| 44. D-Mbs1511b / 9 (La Brossanina) \| 45. D-Mbs21646 / 6v (1) \| 46. D-Mbs21646 / 6v (2) \| 47. D-Mbs21646 / 87v (3) \| 48. D-Mbs21646 / 91r (3) \| 49. D-Ngm33748-1 / 1v \| 50. D-SI_G.I.4(1) / 27v \| 51. D-SI_G.I.4(1) / 40v (F dur) \| 52. D-WGuelf18.8 / VIII.9v (2, F dur) \| 53. D-WGuelf18.8 / VIII.10r \| 54. DaMilano1536C / 24r \| 55. F-AIXm17 / 113v (2, #207) \| 56. F-Pn31 / 45v \| 57. F-Pn48 / 131v \| 58. F-Pn50 / 2r \| 59. F-Pn941 / 32r (2) \| 60. F-PnF993 / 2 \| 61. F-VE711 / 1 \| 62. Frescobaldi1635 / 89 \| 63. Fuhrmann1615 / 182 \| 64. GB-EuAdv5218 / 1 \| 65. GB-HAB1 / 228r \| 66. GB-LblA31389 / 20 \| 67. GB-LblSloane1021 / 68r \| 68. GB-LblSloane1021 / 69r (1) \| 69. GB-LblSloane1021 / 69r (2) \| 70. GB-LblSloane1021 / 69r (3) \| 71. Gaspari1661 / 180 \| 72. GianoncelliI1650 / 8 \| 73. GorzanisTL1564 / E1 \| 74. Hove1612 / 54v \| 75. I-BDGchilesotti / 229 \| 76. I-FnXIX105 / 1r \| 77. I-FnXIX106 / 1v (2) \| 78. I-Lg774 / 25 \| 79. I-TRc1947 / 15 \| 80. IRL-DmZ3213 / 423 \| 81. IRL-Dtc408-2 / 104 \| 82. IRL-Dtc410-1 / 3 \| 83. KapsbergerIC1640 / 31 \| 84. LT-Vs285LXXIX / 4 (3, deleted) \| 85. LT-Vs285LXXIX / 64v (2) \| 86. LT-Vs285LXXIX / 68v \| 87. Marchetti1660 / 11 (gt) \| 88. Millioni-Monte1642 / 11 (gt) \| 89. Millioni1627 N°9 (gt) \| 90. Millioni1627 N°15 (gt) \| 91. Montesardo1606 / 5 (Prima Passacaglie, gt) \| 92. Montesardo1606 / 18 (Bergamasca, gt) \| 93. NL-Lt1666 / 373 (2) \| 94. NL-Lt1666 / 397r (1) \| 95. NL-Lt1666 / 397r (2) \| 96. NL-Lt1666 / 397v (1) \| 97. NL-Lt1666 / 397v (2) \| 98. NL-Lt1666 / 397v (3) \| 99. NL-Lt1666 / 398r \| 100. NL-Ulb RAR MSq1 / 1v (kb) \| 101. PL-Kj40032 / 351 (F dur) \| 102. PL-Kj40143 / 99v \| 103. PL-LZu3779 / 5r \| 104. PL-Lw1985 / 20v \| 105. Piccinini1639 / 16 \| 106. RF-SPanON124 / 38v \| 107. RogerON(6)1700 / 17 \| 108. Rossi(IV)1622 / 16 (Suonata Duodecima sopra la Bergamasca) \| 109. S-B172 / 10r (2) \| 110. S-B172 / 18r \| 111. Sanseverino1622 / 27 (gt) \| 112. US-BEm759 / 2r \| 113. US-BEm761 / 1 \| 114. US-BEm761 / 3 \| 115. US-SFscM21M3 / 85 \| 116. Uccellini1642 / 40 (Aria Quinta sopra la Bergamasca) \| 117. Vallet1615 / 41 \| 118. Viadana1610 / 14 \| 119. Zannetti1645 / 66
19	Moresca Quinta deta L'orsa (OT) - Barbetta1585 / 17

Baletti de diverse Nationi Secondo Il costume loro
20	Baletto de Rusia deto L'orso (OT) - Barbetta1585 / 18

21	Baletto d'Inghilterra deto il Bufon (OT) - Barbetta1585 / 18
	*ConcR1445* 1. GB-LblR.App59-62 / 20 (El bufon)
22	Baletto Francese detto la volta (OT) - Barbetta1585 / 19
	*Conc_4501* 1. A-KR81 / 125r \| 2. B-Br16.662 / 2v \| 3. B-Br275 / 10r \| 4. CDN-Mc / 30r \| 5. CH-SAM1 / 9v \| 6. CZ-PnmIVG18 / 45v (Volte) \| 7. CZ-PnmXXIIIF174 / 45v (2) \| 8. CZ-PnmXXIIIF174 / 46v \| 9. Calvi1646 / 10 (gt) \| 10. Caroso1581 / 163v \| 11. Caroso1600 / 153 \| 12. Caroso1600 / 367 \| 13. Colonna1637 / 22 (gt) \| 14. Corbetta1639 / 22 (gt) \| 15. Costanzo1627 / 46 (gt) \| 16. D-B4022 / 14v (3) \| 17. D-B4022 / 24 (3) \| 18. D-LEm6-15 / VII.10r \| 19. D-LEm6-15 / XII.14r \| 20. D-LEm6-23 / 16 \| 21. D-LEm6-23 / 67 \| 22. D-LEm6-23 / 68 \| 23. D-WGuelf18.8 / IV.7r (1) \| 24. D-WGuelf18.8 / IV.7r (2) \| 25. D-WGuelf18.8 / IV.7v \| 26. D-WGuelf18.8 / X.3r \| 27. F-Pn28 / 2r \| 28. F-Pn28 / 8v \| 29. F-Pn31 / 4r \| 30. F-Pn941 / 6r \| 31. F-Pn941 / 41r \| 32. Fuhrmann1615 / 55 (1) \| 33. GB-Cfm168 (FWVB) / 405 \| 34. GB-EuLaIII487 / 14 \| 35. Gardano1611 / 2 (1) \| 36. Hove601 / 103v \| 37. I-BDGchilesotti / 181 (2) \| 38. I-Coc1-1-20 / 91v \| 39. I-FnXIX30 / 91v \| 40. I-FnXIX105 / 11v \| 41. I-FnXIX106 / 41r \| 42. I-FnXIX179 / 3v \| 43. I-Lg774 / 20 \| 44. I-Nc7664 / 8v \| 45. I-Nc7664 / 12r \| 46. I-Nc7664 / 40v \| 47. I-Nc7664 / 81v \| 48. I-TRc1947 / 4r (2) \| 49. I-TRc1947 / 14v (1) \| 50. I-TRc1947 / 20r (1) \| 51. I-Vnm1793 / 23v \| 52. I-Vnm1910 N°25 (gt) \| 53. I-Vnm1910 N°26 (gt) \| 54. I-Vnm1910 N°27 (gt) \| 55. I-Vnm1910 N°28 (gt) \| 56. I-Vnm1910 N°51 (gt) \| 57. LT-Vs285LXXIX / 71v \| 58. Marchetti1661 / 24 (gt) \| 59. Millioni1627 / 44 (gt) \| 60. MortierON(2)1700 / 12 \| 61. NL-Lt1666 / 377v \| 62. Negri1602 / 117 \| 63. Praetorius1612 / F4r (2, XXVIII) \| 64. RogerON(2)1700 / 9 \| 65. Sanseverino1622 / 30 (gt) \| 66. Terzi1599 / 21 (Balletto Francese) \| 67. Trombetti1639 / 70 (gt) \| 68. US-BEm757 / 1 \| 69. US-BEm761 / 3v \| 70. US-BEm761 / 5v \| 71. US-SFscM21M3 / 59 \| 72. US-SFscM21M3 / 83 (1) \| 73. US-SFscM21M3 / 83 (2) cf. CH-GbuschHerhold / 42r
23	Baletto Francese detto la Corante (OT) - Barbetta1585 / 19

24	Baletto Francese detto Alemande (OT) - Barbetta1585 / 20
	*Conc_4438* 1. Adriaenssen1584 / 88r \| 2. Adriaenssen1600 / 72 \| 3. B-Br16.662 / 27v \| 4. B-Br275 / 100v \| 5. Besard1603 / 73r \| 6. Besard1603 / 131v \| 7. Besard1603 / 153 (1) \| 8. Besard1617 / 4-6 \| 9. CDN-Mc / 67r \| 10. CDN-Mc / 67v \| 11. CH-BuF.IX.70 / 268 (3) \| 12. CH-BuF.IX.70 / 281 (5) \| 13. CH-BuF.IX.70 / 283 (1) \| 14. CH-BuF.IX.70 / 285 (2) \| 15. CZ-PnmXIIIB237 / 3v \| 16. Calvi1646 / 34 (gt) \| 17. Caroso1581 / 135 (2) \| 18. Caroso1581 / 135r (1) \| 19. Caroso1600 / Example1 \| 20. Caroso1600 / Example2 \| 21. Chardavoine1576 / 77v (voc) \| 22. Collona1637 / 28 (gt) \| 23. D-B4022 / 1v (2) \| 24. D-B4022 / 4r \| 25. D-B4022 / 47r (3) \| 26. D-B40098 N°108a-b \| 27. D-B40642 / 9 (1) \| 28. D-BAUk85 / 18 (2) \| 29. D-HsM2768 / 25 \| 30. D-Kl_Montbuysson / 11v \| 31. D-LEm6-15 / XIII.2v \| 32. D-LEm6-15 / XIII.8v (1) \| 33. D-Lr2000 / 58 (Pavane) \| 34. D-Mbs266 / 109r \| 35. D-Mbs266 / 109v \| 36. D-Ngm33748-1 / 66v \| 37. D-SI_G.I.4(1) / 40r (3) \| 38. D-SI_G.I.4(1) / 40v (1) \| 39. D-SI_G.I.4(1) / 40v (2) \| 40. D-SI_G.I.4(1) / 40v (3) \| 41. D-SI_G.I.4(1) / 41r \| 42. D-WGuelf18.8 / IV.23v \| 43. F-Pn29 / 1ra \| 44. F-Pn29 / 4r (1) \| 45. F-Pn29 / 4r (2) \| 46. F-Pn30 / 6r \| 47. F-Pn30 / 7r \| 48. F-Pn31 / 11v \| 49. F-Pn941 / 9r \| 50. F-Pn941 / 9v \| 51. F-Pn1108 / 46v \| 52. F-Pn1136 / 27r (kb) \| 53. GB-Cfm168 (FWVB) / 289 (2, kb) \| 54. GB-Cfm689 / 23v \| 55. GB-CuAdd8844 / 15 \| 56. GB-CuDd423 / 32v (1, citt) \| 57. GB-EuDc5125 / 25 \| 58. GB-EuDc5125 / 25r \| 59. GB-Lbl29485 / 4r (kb) \| 60. GB-LblEg2046 / 30v \| 61. GB-ObD410 / 1r \| 62. GB-WMI-7 / 77v \| 63. GB-Welde / 6v (2) \| 64. Gorzanis1579 / 78 \| 65. Holborn1597 / B4v (citt) \| 66. Hove1612 / 55v \| 67. Hove1612 / 56v \| 68. I-BDGchilesotti / 225 \| 69. I-BasIV-86-746a / 5v (theorbe) \| 70. I-BasIV-86-746a / 6v (theorbe) \| 71. I-FnXIX30 / 5v \| 72. I-FnXIX30 / 13v \| 73. I-FnXIX30 / 22v \| 74. I-MOsB / 8r \| 75. I-MOsB / 8v \| 76. I-Nc7664 / 22v \| 77. I-Nc7664 / 70v \| 78. I-PESalb4 / Add2r \| 79. I-PESalb4 / Add3v \| 80. I-PESalb21 / 84r \| 81. I-PESalb21 / 86v \| 82. I-PESc-b10 / 14v \| 83. I-PESc-b10 / 15r \| 84. I-PESc-b10 / 24r \| 85. I-PESc-b10 / 26r (2) \| 86. I-PESc-b14 / 2v \| 87. I-TRc1947 / 8v (1) \| 88. I-TRc1947 / 8v (2) \| 89. I-TRc1947 / 21r (1) \| 90. I-TRc1947 / 21v (1) \| 91. IRL-Dtc410-1 / 47 (3) \| 92. IRL-Dtc410-1 / 213 (1) \| 93. IRL-Dtc410-1 / 223 (3, band) \| 94. Jobin1573 / 10r \| 95. Jobin1573 / 20v \| 96. KargelRC1578 / M1 \| 97. LT-Vs285LXXIX / 2v (1) \| 98. LT-Vs285LXXIX / 2v (2) \| 99. LT-Vs285LXXIX / 3r \| 100. LT-Vs285LXXIX / 42v \| 101. Marchetti1660 / 20 (gt) \| 102. Millioni1627 / 43 (gt) \| 103. N-Onm5038 / 314 (gt/MA) \| 104. NL-At.208.A.27 / 74v (1) \| 105. NL-Lt1666 / 380r \| 106. NL-Lt1666 / 380v \| 107. NL-Lt1666 / 509r \| 108. NewsidlerTL1574 / K1v \| 109. PL-Kj40032 / 366 (2) \| 110. PL-Kj40032 / 382 \| 111. PL-Kj40143 / 25r \| 112. PL-Kj40143 / 35r \| 113. PL-Kj40143 / 35v \| 114. PL-Kj40153 / 20r \| 115. PL-Kj40591 / 2r (theorbe) \| 116. PL-KjW510 / 30v \| 117. Phalese1563 / 70r (3) \| 118. Phalese1568 / 88r (1) \| 119. Phalese1574 / 80r \| 120. PhaleseHC1582 / 70v \| 121. Piccinini1623 / 85 \| 122. Piccinini1623 / 104 \| 123. Piccinini1623 / 107 (1) \| 124. Piccinini1623 / 107 (2) \| 125. RogerON(5)1700 / 16 \| 126. Sanseverino1622 / 43 (gt) \| 127. Terzi1593 / 115 (1) \| 128. Terzi1593 / 115 (2) \| 129. Terzi1593 / 115 (3) \| 130. Terzi1593 / 117 (1) \| 131. US-BEm757 / 8v \| 132. US-BEm760 / 25v \| 133. US-Dmu19454(iii) / 1v \| 134. US-NYpl_Drexel5609 / 113 (2, kb) \| 135. US-SFscM21M3 / 55 \| 136. Valerius1626 / 180 \| 137. Vallet1615 / 43 \| 138. Waissel1573 / M2r (1) \| 139. Waissel1591 / B3r (1)
25	Baletto detto del Capello Cinganesco (OT) - Barbetta1585 / 20

26	Balletto de Contadini Lombardi (OT) - Barbetta1585 / 21

27	Baletto Borgoguese deto il bizaro (OT) - Barbetta1585 / 21

28	Baletto Todesco (OT) - Barbetta1585 / 22
	*ConcR1446* 1. D-Mbs1511b / 1r \| 2. D-Mbs1511b / 22v
29	Gagliarda del baletto Todesco (OT) - Barbetta1585 / 22

30	Baletto Todesco ditto il Terzo (OT) - Barbetta1585 / 22
	*ConcR976* 1. CH-BuF.IX.70 / 278 (1) \| 2. CZ-PnmXXIIIF174 / 20 \| 3. D-WGuelf18.8 / IV.19r \| 4. DK-KkThot841 / 63v \| 5. I-PESc-b10 / 24v \| 6. NL-Lt1666 / 497r (1) \| 7. NL-Lt1666 / 497r (2) \| 8. NL-Lt1666 / 497v \| 9. Negri1602 / 255 \| 10. Terzi1599 / 22 (1)
31	Gagliarda del baletto Terzo (OT) - Barbetta1585 / 23

32	Baletto Polaco (OT) - Barbetta1585 / 24

33	Gagliarda del Baletto Polaco (OT) - Barbetta1585 / 24

34	Baletto de Ruscia deto Duda qual s'accorda il Basso col Tenor Ottaua (OT) - Barbetta1585 / 25
	*ConcR1255* 1. CH-GbuschHerhold / 44r \| 2. D-B4022 / 46v (1)
Pass'e mezzi, e gagliarde per sonar in compagnia, Secondo l'vso Antico
35a	Passo e mezzo Antico in Tenore Prima parte (OT) - Barbetta1585 / 26

35b	Seconda parte. Senza canto (OT) - Barbetta1585 / 26

36a	Soprano del passo emezo antico in Tenore Prima parte (OT) - Barbetta1585 / 27

36b	Seconda par (OT) - Barbetta1585 / 27

36c	Terza parte (OT) - Barbetta1585 / 28

36d	Quarta parte (OT) - Barbetta1585 / 29

37a	Galgiarda del Passo e mezzo antico in Tenor Prima parte (OT) - Barbetta1585 / 30

37b	Seconda Par (OT) - Barbetta1585 / 30

38a	Soprano de la galgiarda antica in Tenor Prima parte (OT) - Barbetta1585 / 31

39b	Seconda Par (OT) - Barbetta1585 / 31

38c	Terza parte (OT) - Barbetta1585 / 31

38d	Quarta parte (OT) - Barbetta1585 / 32

38e	Ripresa (OT) - Barbetta1585 / 32

Pass'e mezzi, e gagliarde per sonar in compagnia, Secondo l'vso Moderno
39a	Passo e mezzo Moderno in Tenore Prima parte (OT) - Barbetta1585 / 34

39b	Seconda par. senza canto (OT) - Barbetta1585 / 34

40a	Soprano del Passo emezo moderno in Tenore Prima parte (OT) - Barbetta1585 / 35

40b	Seconda par (OT) - Barbetta1585 / 35

40c	Terza parte (OT) - Barbetta1585 / 36

40d	Quarta parte (OT) - Barbetta1585 / 37

41a	Galgiarda del Passo e mezzo moderno in Tenor Prima parte (OT) - Barbetta1585 / 38

41b	Seconda par. senza canto (OT) - Barbetta1585 / 38

42a	Soprano de la galgiarda moderna in Tenor Prima parte (OT) - Barbetta1585 / 39

42b	Seconda par (OT) - Barbetta1585 / 39

42c	Terza parte (OT) - Barbetta1585 / 39

42d	Quarta parte (OT) - Barbetta1585 / 40

42e	Ripresa (OT) - Barbetta1585 / 40

Nova Inventione et Modo di Saltarelli Italiani, Acomodati per ballare A la Gagliarda secondo il Moderno costume
43	Saltarello 1. detto Io vo cogliendo (OT) - Barbetta1585 / 42

44	Saltarello 2. detto Erbe oliose (OT) - Barbetta1585 / 42

45a	Saltarello 3. detto Rauanello (OT) - Barbetta1585 / 43

45b	Ripresa (OT) - Barbetta1585 / 44

46	Saltarello 4. detto O la val cerca (OT) - Barbetta1585 / 44
	*ConcR833* 1. Ammerbach1583 / 177 (kb) \| 2. CH-BuF.IX.70 / 301 (1) \| 3. CH-BuF.IX.70 / 308 (1) \| 4. CH-BuF.IX.70 / 309 (1) \| 5. CZ-PnmXXIIIF174 / 46r \| 6. CZ-PnmXXIIIF174 / 47r \| 7. D-SI_G.I.4(1) / 9v (1) \| 8. D-SI_G.I.4(1) / 9v (2) \| 9. DuTertre1557 / 1v \| 10. F-LYm6244 / 12v \| 11. LeRoy1568 / 36v \| 12. MorlayeII_1558 / 22r \| 13. NL-At.208.A.27 / 59v (1) \| 14. NL-Lt1666 / 24r (2) \| 15. NL-Lt1666 / 24v \| 16. NL-Lt1666 / 25r (1) \| 17. NL-Lt1666 / 25v (1) \| 18. NL-Lt1666 / 25v (2) \| 19. Phalese1563 / 61r (1) \| 20. Phalese1568 / 82r (1) \| 21. PhaleseHC1570 / 48r \| 22. PhaleseHC1582 / 63v \| 23. PhaleseSE1570 / 67r (cyther)- Jobin1573 / 14r \| 24. Viaera1564 / 33r \| 25. Vreedman1569 / 44v \| 26. Waissel1573 / L4v (1)
47a	Saltarello 5. detto Non mi toccare (OT) - Barbetta1585 / 45

47b	Ripresa (OT) - Barbetta1585 / 46

48a	Saltarello 6. detto Io voglio el Tisis (OT) - Barbetta1585 / 46

48b	Ripresa (OT) - Barbetta1585 / 46

49	Saltarello detto Mai non lo trouo (OT) - Barbetta1585 / 47

50	Saltarello 8. detto O che deoni (OT) - Barbetta1585 / 48

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Intavolatvra de Livto di Ivlio Cesare Barbetta Padoana doue si contiene Padoane Arie Baletti Pass' e mezi Saltarelli per Ballar à la Italiana, & altre cose diletteuoli secondo l'uso di questi tempi, Accommodato per Sonar con Sei e Sette Ordeni de corde. Quelle onlineBarbetta1585 hat 77 Stücke

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Musik für Lauteninstrumente
Eine Datenbank von Peter Steur und Markus Lutz

<< Barbetta1585 >>
<< In den Einträgen blättern >>

Intavolatvra de Livto di Ivlio Cesare Barbetta Padoana doue si contiene Padoane Arie Baletti Pass' e mezi Saltarelli per Ballar à la Italiana, & altre cose diletteuoli secondo l'uso di questi tempi, Accommodato per Sonar con Sei e Sette Ordeni de corde.
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