PhaleseV_1547 complete without incipits

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Type		Download explanation as PDF (Explanation of the Filters) Important: All filters can be combined. Currently the fields can only be erased manually by emptying them and clicking on Filter... once. Composer: You can search for every string inside of the field for composer (case-sensitive). Incipit search: You can search incipits to find concordances or similarities. For this abctab2ps code is used, but with all ornaments filtered out (cf: http://www.lautengesellschaft.de/cdmm/userguide/node8.html). It is enough to notate the highest notes. To mark the next note, you should use a space. For example you will find the famous Bourree of Weiss, if you inpute \| ,a e. Adding a further space between the notes adds a placeholder exactly at this place. With x1, x2 etc. you have the possibility to add variable placeholders (one, two etc.).y Bars can be added with \| to increase the accuracy of the search, but with the disadvantage, that the bars then aren't filtered out. Instruments: Here you can filter the instruments, that are in the database (lowercase means all connected mss, including concordances, uppercase all mss with notated music of this instrument). But always the whole source will be shown: Baroque lute = bl/BL Renaissance lute = rl/RL Angelique = ang/ANG Baroque guitar = bg/BG Cittern = CT Mandora = ma/MA Theorbo = TH Other plucking instruments = VS Accord Nouveaux = ACN Ensemble = EN Key: Major keys use upper case and minor keys lower case, that can be followed by b or # (e.g. f# for f sharp minor or Eb for E flat Major). Unfortunately, as some keys have historically different denotations (e.g. D# and Eb), at the moment possibly not all entries will be found. Furthermore it is possible in the meantime to filter herewith prints (= Print) or used type of tablature: French Tablature = FTab, Italian Tablature = ITab, German Tablature = DTab. Signature: The searching always starts with the beginning of the signature and refers to all sources (case-sensitive). Only the short signatures are used. You can search for all sources in one land (e.g. A for Austria or US for the United States) or for libraries (A-KR = Kremsmünster). Title: You can search for every string in the title of movements (case-insensitive).
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Des chansons, reduitz en tabulature de luc, livre cinquiesme (Louvain)
Date: 1547
PhaleseV_1547 has 37 entries

List of sources with concordances to PhaleseV_1547
(31 pieces have 108 concordances)

Alphabetical

A-Wn18790 = 1
Abondante1548 = 1
BianchiniD1546 = 3
CH-BuF.IX.70 = 1
Cabeçon1570 = 1
D-Mbs1511d = 1
D-WGuelf18.7 = 1
DaCremaIII_1546 = 17
DaCremaI_1546 = 16
DaCremaVII_1548 = 1
DaMilano153x = 1
DaMilano1536M = 1
DaMilano1547 = 2
DaMilano1556 = 1
DaMilano1562 = 3
DaMilanoBorrono1546 = 1
DaMilanoDor1566 = 2
DaMilanoIII_1547 = 1
DaMilanoIII_1563 = 3
DaMilanoI_1546 = 1
Fuenllana1554 = 1
Gerle1533 = 2
Gerle1552 = 6
LeRoy1551 = 1
Matelart1559 = 1
NL-DHnmiA20 = 2
NewsidlerM1574 = 1
Ochsenkhun1558 = 2
PL-Kj40598 = 1
Phalese1545 = 1
Phalese1552 = 2
Phalese1553 = 1
Phalese1563 = 1
Phalese1571 = 2
PhaleseIII_1547 = 1
PhaleseV _1547 = 1
Rotta1546a = 10
Rotta1546b = 9
Rottab1546b = 1
S-Uu87 = 1
S-Uu412 = 1
Valderrabano1547 = 1

According to the amount of concordances

DaCremaIII_1546 = 17
DaCremaI_1546 = 16
Rotta1546a = 10
Rotta1546b = 9
Gerle1552 = 6
DaMilano1562 = 3
BianchiniD1546 = 3
DaMilanoIII_1563 = 3
Gerle1533 = 2
Ochsenkhun1558 = 2
Phalese1552 = 2
DaMilanoDor1566 = 2
DaMilano1547 = 2
Phalese1571 = 2
NL-DHnmiA20 = 2
Phalese1563 = 1
PhaleseIII_1547 = 1
Phalese1553 = 1
PhaleseV _1547 = 1
Rottab1546b = 1
Phalese1545 = 1
PL-Kj40598 = 1
S-Uu87 = 1
S-Uu412 = 1
NewsidlerM1574 = 1
A-Wn18790 = 1
Matelart1559 = 1
LeRoy1551 = 1
Abondante1548 = 1
Fuenllana1554 = 1
DaMilanoI_1546 = 1
DaMilanoIII_1547 = 1
DaMilanoBorrono1546 = 1
DaMilano1556 = 1
DaMilano1536M = 1
DaMilano153x = 1
DaCremaVII_1548 = 1
D-WGuelf18.7 = 1
D-Mbs1511d = 1
Cabeçon1570 = 1
CH-BuF.IX.70 = 1
Valderrabano1547 = 1

1	Fantasie (OT) - PhaleseV_1547 / A1v
	*ConcR1649* 1. Phalese1545 / 14
2	Fantasie (Francesco da Milano) (OT) - PhaleseV_1547 / A2v
	*ConcR1334* 1. DaCremaIII_1546 / 5v \| 2. DaCremaIII_1546 / 5v \| 3. DaCremaI_1546 / B1r \| 4. DaCremaVII_1548 / C4v \| 5. Matelart1559 / 11v \| 6. NL-DHnmiA20 / 8r \| 7. Phalese1571 / 7r Modern Editions : The Lute Music of Francesco Canova da Milano (Arthur Ness) App.#23 (Duet part 1)
3	Fantasie (Francesco da Milano) (OT) - PhaleseV_1547 / A3v
	*ConcR1266* 1. DaMilano1556 / 18r \| 2. DaMilanoBorrono1546 / 35v \| 3. DaMilanoI_1546 / E2r \| 4. Phalese1552 / 7 \| 5. Phalese1563 / 4r \| 6. Phalese1571 / 20r Modern Editions : The Lute Music of Francesco Canova da Milano (Arthur Ness) #29
4	Fantasie de mon triste e F. de Milan (Francesco da Milano) (OT) - PhaleseV_1547 / A4v
	*ConcR1319* 1. DaMilano1547 / B4r \| 2. DaMilano1562 / B4r \| 3. DaMilanoDor1566 / C1v \| 4. DaMilanoIII_1563 / 15 \| 5. NL-DHnmiA20 / 69r (1) Modern Editions : The Lute Music of Francesco Canova da Milano (Arthur Ness) #36
5	De mon triste F. de Milan (Francesco da Milano) (OT) - PhaleseV_1547 / B1v
	*ConcR1318* 1. DaMilano1547 / B3v \| 2. DaMilano1562 / B3v \| 3. DaMilanoDor1566 / C1r \| 4. DaMilanoIII_1563 / 14 Modern Editions : The Lute Music of Francesco Canova da Milano (Arthur Ness) #121
6	Viure ne puis content (OT) - PhaleseV_1547 / B2r
	*ConcR1650* 1. DaCremaIII_1546 / 13r \| 2. DaCremaI_1546 / C4v
7	Iay mis le cuer (OT) - PhaleseV_1547 / B3r
	*ConcR1651* 1. DaCremaIII_1546 / 13v \| 2. DaCremaI_1546 / D1r
8	De uous seruir (OT) - PhaleseV_1547 / B3v
	*ConcR1652* 1. DaCremaIII_1546 / 14r \| 2. DaCremaI_1546 / D1v
9	Amours ont Changes (OT) - PhaleseV_1547 / B4r
	*ConcR1653* 1. DaCremaIII_1546 / 14v \| 2. DaCremaI_1546 / D2r
10	Elle lara (OT) - PhaleseV_1547 / B4v
	*ConcR1654* 1. DaCremaIII_1546 / 16r \| 2. DaCremaI_1546 / D3v
11	Ha la he (OT) - PhaleseV_1547 / C1v
	*ConcR1655* 1. DaCremaIII_1546 / 17v \| 2. DaCremaI_1546 / E1r \| 3. Phalese1552 / 34 (2) \| 4. Phalese1553 / 17r (2)
12	Et don bon soir (OT) - PhaleseV_1547 / C2r
	*ConcR1656* 1. DaCremaIII_1546 / 18r \| 2. DaCremaI_1546 / E1v
13	Bayse moy tant (OT) - PhaleseV_1547 / C3r
	*ConcR1657* 1. DaCremaIII_1546 / 18v \| 2. DaCremaI_1546 / E2r
14	Mon amy (OT) - PhaleseV_1547 / C4r
	*ConcR1658* 1. DaCremaIII_1546 / 19v \| 2. DaCremaI_1546 / E3r
15	El neye plaiser (OT) - PhaleseV_1547 / C4v
	*ConcR1659* 1. DaCremaIII_1546 / 20r \| 2. DaCremaI_1546 / E3v
16	Puis que ce (OT) - PhaleseV_1547 / D1r
	*ConcR1660* 1. DaCremaIII_1546 / 20v \| 2. DaCremaI_1546 / E4r
17	Allons allons (OT) - PhaleseV_1547 / D2r
	*ConcR1661* 1. DaCremaIII_1546 / 21r \| 2. DaCremaI_1546 / F1r
18	Helas mon dieu (OT) - PhaleseV_1547 / D3r
	*ConcR1662* 1. CH-BuF.IX.70 / 79 \| 2. LeRoy1551 / 13r \| 3. Rotta1546a / 18v \| 4. Rotta1546b / 24r \| 5. S-Uu412 / 6v
19	A qui me doib ie retirer (OT) - PhaleseV_1547 / D3v
	*ConcR1663* 1. Rotta1546a / 19v \| 2. Rotta1546b / 24v
20	Malheureux suis fortune (OT) - PhaleseV_1547 / D4v
	*ConcR1664* 1. Rotta1546a / 21r \| 2. Rotta1546b / 26v
21	Fringotes iunes filettes (OT) - PhaleseV_1547 / E1v
	*ConcR1665* 1. A-Wn18790 / 8v \| 2. Abondante1548 / 34 \| 3. Rotta1546a / 21v \| 4. Rotta1546b / 27v
22	Le dur trauail (OT) - PhaleseV_1547 / E2v
	*ConcR1666* 1. BianchiniD1546 / D3v
23	Que uoules uous dire de moy (Francesco da Milano) (OT) - PhaleseV_1547 / E3v
	*ConcR1304* 1. DaMilano153x / 20r \| 2. DaMilano1536M / 17v \| 3. DaMilano1562 / F2v \| 4. DaMilanoIII_1547 / F2v \| 5. DaMilanoIII_1563 / 44 Modern Editions : The Lute Music of Francesco Canova da Milano (Arthur Ness) #98
24	Par ton regard (OT) - PhaleseV_1547 / E4v
	*ConcR1457* 1. BianchiniD1546 / C3r \| 2. D-Mbs1511d / 1v
25	Cest grand pitie (OT) - PhaleseV_1547 / F1r
	*ConcR1667* 1. BianchiniD1546 / D1v
26	Amour crainte & esperance son en samble (OT) - PhaleseV_1547 / F1v

27	A demy mort (OT) - PhaleseV_1547 / F2v

28	Adieu uous dit (OT) - PhaleseV_1547 / F3v

29a	In illo tempore (OT) - PhaleseV_1547 / F4v
	*ConcR1668* 1. Gerle1533 / 53v \| 2. Rotta1546a / 24v \| 3. Rotta1546b / 31v
29b	Propter hoc relinquet. Secunda pars (OT) - PhaleseV_1547 / G2r
	*ConcR1669* 1. Gerle1533 / 55r \| 2. PhaleseV _1547 / G2r \| 3. Rotta1546a / 26r \| 4. Rottab1546b / 33r
30	Si bona suscepimus a 4 (OT) - PhaleseV_1547 / G3r
	*ConcR1526* 1. Cabeçon1570 / 114v \| 2. D-WGuelf18.7 / II.26r \| 3. DaCremaIII_1546 / 27v \| 4. DaCremaI_1546 / G3v \| 5. Fuenllana1554 / 61v \| 6. NewsidlerM1574 / C4r \| 7. Ochsenkhun1558 / 17v \| 8. Ochsenkhun1558 / 39v \| 9. PL-Kj40598 / 117v \| 10. PhaleseIII_1547 / E4r \| 11. S-Uu87 / 53v \| 12. Valderrabano1547 / 6v
31	Gaiarda (OT) - PhaleseV_1547 / H1r
	*ConcR1670* 1. Gerle1552 / O3r \| 2. Rotta1546a / 2r \| 3. Rotta1546b / 2v
32	Passamezo (OT) - PhaleseV_1547 / H1v
	*ConcR811* 1. Gerle1552 / O4v \| 2. Rotta1546a / 3r \| 3. Rotta1546b / 3v
33	Gaiarda (OT) - PhaleseV_1547 / H2r
	*ConcR1744* 1. Gerle1552 / Q3r \| 2. Rotta1546a / 7r \| 3. Rotta1546b / 7v
34	Gaiarda (OT) - PhaleseV_1547 / H2v
	*ConcR1750* 1. Gerle1552 / P1v \| 2. Rotta1546a / 4r \| 3. Rotta1546b / 4v
35	Passe e mezo a la Bolognesa (OT) - PhaleseV_1547 / H3r
	*ConcR1671* 1. DaCremaIII_1546 / 36r \| 2. DaCremaI_1546 / I4v \| 3. Gerle1552 / N3r
36	Saltarella a la Bolognesa (OT) - PhaleseV_1547 / H3v
	*ConcR1672* 1. DaCremaIII_1546 / 36v \| 2. DaCremaI_1546 / K1r \| 3. Gerle1552 / N3v

Music for Lute Instruments
A Database by Peter Steur and Markus Lutz

<< PhaleseV_1547 >>
<< Browse entries >>

Des chansons, reduitz en tabulature de luc, livre cinquiesme (Louvain)
Date: 1547
PhaleseV_1547 has 37 entries

<< Browse entries >>
<< PhaleseV_1547 >>

Music for Lute InstrumentsA Database by Peter Steur and Markus Lutz

<< PhaleseV_1547 >> << Browse entries >>

Des chansons, reduitz en tabulature de luc, livre cinquiesme (Louvain) Date: 1547PhaleseV_1547 has 37 entries

<< Browse entries >> << PhaleseV_1547 >>

Music for Lute Instruments
A Database by Peter Steur and Markus Lutz

<< PhaleseV_1547 >>
<< Browse entries >>

Des chansons, reduitz en tabulature de luc, livre cinquiesme (Louvain)
Date: 1547
PhaleseV_1547 has 37 entries

<< Browse entries >>
<< PhaleseV_1547 >>